Midnight Gardenعمران قريشي · 2017

A Study in Color and Form

The canvas is divided into two distinct vertical sections. On the left, a deep red field is populated by black spots. On the right, a blue field contains white spots. Small circles of varying sizes and positions are scattered across both sections, creating a sense of depth through their placement. The texture of the paint is visible, showing the physical application of the medium across the surface. This composition relies on the contrast between the warm red and the cool blue, interrupted by the rhythmic distribution of the circular forms.

Technique and Compositional Elements

The work utilizes a layering method that builds complexity through color and shape. The arrangement of the circles suggests a controlled chaos, where each element occupies a specific point in the visual field. The following elements define the structure of the piece:

• The juxtaposition of red and blue fields.
• The use of black and white spots as focal points within the color blocks.
• The repetition of circular motifs across the entire surface.
• The visible brushwork that defines the edges of the shapes.

Symbolic and Historical Context

Created in 2017, this work emerges from a practice that integrates traditional miniature painting techniques with contemporary abstraction. The artist, Mohammad Imran Qureshi, utilizes a method referred to as "flower painting," where layers of pigment are applied to suggest growth and rupture. The red hues in the work are a recurring element in his practice, often used to represent life force or the aftermath of violence. In this specific composition, the interplay between the red and blue sections reflects a tension between different states of being. The circular shapes act as a visual language, bridging the gap between the meticulous detail of Mughal traditions and the expressive energy of abstract expressionism.