Going Around The World - A Vision of Catalan Modernism

Enric Clarasó i Daudí’s “Going Around The World” is more than just a depiction of a man and his dog traversing the streets of Sitges; it's a poignant emblem of Catalan Modernism’s fascination with travel, exploration, and the pursuit of beauty amidst the complexities of the era. Painted in 1890, this bronze sculpture embodies the spirit of its time—a period marked by intellectual ferment and artistic experimentation following the Franco-Prussian War.

• Artist Background: Enric Clarasó i Daudí (1857 – 1941) emerged from Sant Feliu del Racó, Catalonia, inheriting a family tradition of craftsmanship. His formative years were shaped by a relocation to Barcelona at the age of two and subsequent studies under Joan Roig i Solé, where he honed his sculptural skills alongside fellow artist Miquel Carbonell.
• Style & Technique: Clarasó’s style leans heavily into Costumisme—a stylistic approach prevalent in Catalan Modernism that prioritizes meticulous attention to detail and seeks to capture the essence of a particular moment or subject matter. The sculpture utilizes bronze casting, a technique favored by artists like Ramón Casas and Santiago Rusiñol during this period, ensuring durability and preserving the artist’s vision with remarkable fidelity.
• Symbolism & Narrative: The central figure—a man accompanied by his canine companion—represents not merely physical journey but also an inner quest for discovery. The suitcase symbolizes preparedness, ambition, and perhaps a longing for new experiences. The dog itself serves as a loyal guide, mirroring the artist’s own dedication to capturing truthfulness and conveying emotion through form.
• Historical Context: Created during Barcelona's vibrant artistic milieu—influenced by Impressionism and Symbolism—the sculpture reflects the broader cultural currents of the late 19th century. It aligns with the Cau Ferrat Museum’s mission to showcase Catalan art, highlighting the region’s contribution to European avant-garde movements.
• Emotional Impact: “Going Around The World” evokes a sense of optimism and adventure—a belief in progress and the transformative power of encountering new cultures and perspectives. Its serene composition invites contemplation on themes of wanderlust, companionship, and the enduring beauty found in everyday life.

The sculpture’s presence at the Museu d'Art Contemporani (MACBA) underscores its significance as a cornerstone of Catalan artistic heritage. It stands as a testament to Clarasó’s masterful execution and his ability to distill complex ideas into a powerfully evocative visual form—a timeless reminder of Modernism’s enduring fascination with both observation and imagination.