Dinner DressCharles Frederick Worth · 1892
Textile
Textile
Art Nouveau
1892
19th Century
The Kyoto Costume Institute
Charles Frederick Worth (1825 – 1895)
The British architect of haute couture who revolutionized fashion with branded labels, live models, and opulent silk and satin gowns.
The Kyoto Costume Institute (Kyoto, Japan)
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Identification of the Dinner Dress
The Dinner Dress is a garment created by the designer Charles Frederick Worth. This piece is a type of dress that dates to about 1892. It is currently held within the collection of The Kyoto Costume Institute in Kyoto, Japan.
The work is an example of late nineteenth-century fashion. It features a specific silhouette characterized by large sleeves and a pattern of scattered chrysanthemums. This particular design reflects the Japonism style prevalent during the period.
Visual Description and Style
The garment is an off-white silk satin ensemble featuring a scattered chrysanthemum pattern across the textile. This motif substantiates the Japonism style prevalent during the period. The silhouette is defined by large velvet gigot sleeves, also referred to as elephant sleeves, which create significant volume at the arms. Lace decoration is applied to the cuffs and the collar of the dress.
The design reflects the aesthetic of the Japonism movement through its specific use of botanical imagery. The chrysanthemum pattern is distributed throughout the fabric rather than being concentrated in a single area. The construction utilizes heavy velvet for the sleeves to contrast with the lighter silk satin of the main body. The lace elements at the neck and wrists provide a textural distinction from the smooth silk and the plush velvet.
Materials and Construction Details
The primary textile of this garment is an off-white silk satin. A woven chrysanthemum pattern is integrated throughout the fabric, creating a repeating motif across the surface of the material. The construction utilizes this specific weight of silk to maintain the structure of the skirt and bodice.
The sleeves are constructed from velvet, designed in a large "gigot" or "elephant" shape that reaches maximum volume. These voluminous sleeves contrast with the smoother texture of the silk satin body. Lace decoration is applied to the cuffs and the collar, providing a textural variation to the sleeves and neckline.
Related Works by Charles Frederick Worth
The designer's body of work includes a dress from 1868. This specific garment is held in the collection of the Design Museum of Barcelona. The piece reflects the construction methods and silhouettes established during the mid-nineteenth century.
Another example of his output is a yellow evening gown (back) from 1914. This garment is located in The National Museum of Denmark, Copenhagen. The work represents a later period in the history of the House of Worth.
About this artwork
- Title: Dinner Dress
- Artist: Charles Frederick Worth
- Year: 1892
- Format: Portrait
- Copyright status: Public domain
- Where to see it: The Kyoto Costume Institute
- Movement: Art Nouveau
- Medium type: Textile
- Color palette: Pastels
- Keywords: velvet sleeves, japonism style, off-white silk satin
Quick Facts
- Year: c. 1892
- Artistic style: Japonism
- Movement: Japonism
- Notable elements or techniques: Gigot sleeves and chrysanthemum pattern
- Location: The Kyoto Costume Institute, Kyoto
Questions & Answers
Where is "Dinner Dress" by Charles Frederick Worth on display today?
"Dinner Dress" by Charles Frederick Worth is on display at The Kyoto Costume Institute, Kyoto, Japan. The museum listing refers to the original work, not to reproductions.
What feeling does "Dinner Dress" by Charles Frederick Worth convey?
In "Dinner Dress", a luxurious mood accompanies a nostalgic emotion.
How does the subject of "Dinner Dress" relate to Charles Frederick Worth's usual themes?
"Dinner Dress" depicts woman, dress, hat, jacket, sleeves, chrysanthemum, while Charles Frederick Worth's recorded themes are japonism style, haute couture foundation, luxury silk satin, dramatic silhouette, chrysanthemum motif. Comparing the two shows how the work relates to the artist's usual subjects.