Midday Rest

  • Painting mediumAcrylic On Canvas
  • Medium typeWallArt
  • Art movementImpressionism
  • Creation date1904
  • Dimensions46.0 x 33.0 cm
  • MuseumJerwood Gallery

Elizabeth Adela Stanhope Forbes (1859 – 1912)

Canadian painter Elizabeth Forbes (1859-1912) captured Victorian life with charm. Known for children & Newlyn School style, influenced by Whistler & Sickert.

Jerwood Gallery (Hastings, United Kingdom)

Discover modern & contemporary British art at Hastings Contemporary (formerly Jerwood Gallery), a unique seaside venue in East Sussex. Explore rotating exhibitions, striking architecture, and vibrant culture.

Elizabeth Adela Stanhope Forbes: A Pioneer Impressionist of the Newlyn School

Elizabeth Adela Stanhope Forbes (née Armstrong; 29 December 1859 – 16 March 1912) stands as a remarkable figure in British art history, particularly recognized for her contribution to the burgeoning Newlyn school movement. Born in Kingston, Ontario, Canada, Forbes embarked on an artistic journey that spanned continents—from London and Munich to New York and Brittany—leaving behind a legacy of captivating landscapes infused with Impressionistic sensibilities.

  • Early Life & Education: Forbes’s formative years were marked by private schooling in Canada before she pursued formal art training at the South Kensington Art School (now Royal College of Art), accompanied by her mother. This privileged upbringing instilled a deep appreciation for artistic excellence and provided her with invaluable foundational knowledge.
  • Continental Influences: Her travels to Munich solidified her connection with European artistic traditions, where she studied alongside prominent artists like J. Frank Currier and Frank Duveneck. These experiences exposed her to diverse stylistic approaches and broadened her artistic horizons.

The Brittany Period & Whistler’s Legacy

Forbes's artistic breakthrough occurred during her time in Pont-Aven, Brittany—a pivotal moment that irrevocably shaped her distinctive style. Inspired by the luminist ideals championed by James Abbott McNeill Whistler, Forbes embraced plein air painting, meticulously capturing the ethereal qualities of light and atmosphere. Whistler’s influence is palpable in Forbes's etchings, demonstrating a shared fascination with tonal harmonies and subtle nuances of color.

  • Whistlerian Technique: Forbes adopted Whistler’s approach to etching—a technique characterized by delicate lines and tonal gradations—reflecting a commitment to capturing the essence of visual perception rather than striving for photographic realism.
  • Symbolic Resonance: The Brittany landscape served as more than just a subject; it embodied Forbes's artistic philosophy – an unwavering dedication to observing and interpreting nature with sensitivity and precision.

Newlyn School Style & Artistic Development

Returning to Cornwall in 1885, Forbes established herself within the Newlyn school of painters—a collective dedicated to portraying coastal scenes with remarkable immediacy and emotional depth. Alongside Walter Sickert and Arthur Hacker, Forbes honed her craft, mastering the Impressionist technique of layering paint to build up form and texture while prioritizing mood over strict representation.

  • Sickertian Influence: Walter Sickert’s realism—particularly his focus on capturing urban life—provided Forbes with a contrasting perspective that enriched her artistic repertoire.
  • The Cornish Landscape: Forbes's paintings of Newlyn and its surrounding coastline exemplify the school’s commitment to portraying the beauty of the natural world with honesty and passion.

Concluding Remarks

Elizabeth Adela Stanhope Forbes’s artistic journey culminated in a profound exploration of Impressionism—a movement that championed subjective experience and celebrated the transformative power of light. Her enduring contribution to British art lies not only in her masterful depictions of landscapes but also in her unwavering belief that art should serve as a conduit for conveying emotion and capturing the fleeting beauty of everyday life.


About this artwork

  • Title: Midday Rest
  • Artist: Elizabeth Adela Stanhope Forbes
  • Year: 1904
  • Original dimensions: 46.0 x 33.0 cm
  • Format: Portrait
  • Copyright status: Public domain
  • Where to see it: Jerwood Gallery
  • Medium: Acrylic On Canvas
  • Corpus context: victorian genre, newlyn school
  • Color palette: Neutrals

Quick Facts

  • Medium: Oil on canvas
  • Title: Midday Rest
  • Year: 1904
  • Artistic style: Realistic
  • Artist: Elizabeth Adela Stanhope Forbes
  • Location: Private Collection
  • Movement: Impressionism

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