Spatial conceptLucio FontanaNone

The Composition and Visual Elements

The sculpture consists of a solitary wooden form characterized by a yellow hue. A central metal hole pierces through the wood, creating a physical aperture in the center of the object. This puncture introduces a motif of emptiness and infinite space into the solid structure. The composition relies on the tension between the presence of the material and the void created by the incision.

The visual arrangement emphasizes fragmentation and the concept of the void. The surface of the yellow sculpture features several dots that provide texture and depth to the form. These tactile elements interact with the central opening to disrupt the continuity of the wooden surface. The work utilizes a monochrome approach to focus attention on the geometric relationship between the solid mass and the empty space.

Materials and Artistic Technique

The sculpture is constructed from a combination of wood and metal. The surface of the wooden form features several dots that create texture and depth across the material. These tactile elements interact with a central metal hole that pierces the structure. The composition relies on the contrast between the warm tones of the wood and the cool sheen of the metal.

In other iterations of this series, the artist utilizes oil and glass on canvas. These works often incorporate the buchi technique, which involves creating holes in the surface to engage with the void. The application of materials such as heavy impasto and colored glass is also used to manipulate how light and shadow interact with the physical dimensions of the work.

Related Works by Lucio Fontana

The artist's exploration of spatial dimensions includes several other iterations of the Spatial Concept theme. Two versions of this work are held in the Boschi Di Stefano House Museum in Milan: one dating from about 1955 and another from about 1956. These pieces continue the investigation into the relationship between solid matter and the void through the use of physical incisions.

Within the broader Concetto spaziale series, the artist produced works that utilized specific geometric forms and interventions. The 1963 work La Fine di Dio belongs to this sequence. Later, in 1965, the artist created Attese, which remains a significant part of the series' development.

• Buchi series
• Tagli series
• Pietre series

Where to See This Artwork Today

This specific sculpture is held within the collection of the Boschi Di Stefano House Museum. It is located in Milan, Italy. The piece remains a permanent part of the museum's holdings, allowing for direct observation of its wooden and metal construction.

Visitors seeking to view this work can find it at the Boschi Di Stefano House Museum. The museum's location in Milan provides access to this particular example of Fontana's spatial exploration. The object is situated within the institutional framework of this specific collection.