The Migration Series, Panel no. 9: They left because the boll weevil had ravaged the cotton crop.Jacob LawrenceNone
The Phillips Collection
Jacob Lawrence (1917 – 2000)
American dynamic cubist using vibrant, simplified shapes to chronicle the Great Migration and the history of African-American life.
The Phillips Collection (Washington, D.C., United States of America)
Experience Renoir's Luncheon of the Boating Party in this intimate Washington, D.C. sanctuary. Discover modern masterpieces today.
About this artwork
- Title: The Migration Series, Panel no. 9: They left because the boll weevil had ravaged the cotton crop.
- Artist: Jacob Lawrence
- Format: Portrait
- Copyright status: Under copyright
- Where to see it: The Phillips Collection
- Color palette: Neutrals
- Main color: Putty
- Color intensity: Balanced
Questions & Answers
Do the colors of "The Migration Series, Panel no. 9: They left because the boll weevil had ravaged the cotton crop." appear strong or soft?
The colors in "The Migration Series, Panel no. 9: They left because the boll weevil had ravaged the cotton crop." by Jacob Lawrence have a balanced intensity.
Where can I see the original "The Migration Series, Panel no. 9: They left because the boll weevil had ravaged the cotton crop." by Jacob Lawrence?
You can see the original "The Migration Series, Panel no. 9: They left because the boll weevil had ravaged the cotton crop." at The Phillips Collection, Washington, D.C., United States of America.
What is the dominant hue of "The Migration Series, Panel no. 9: They left because the boll weevil had ravaged the cotton crop." by Jacob Lawrence?
"The Migration Series, Panel no. 9: They left because the boll weevil had ravaged the cotton crop." leans toward an ochre to sepia tone.