The stack, Hoar's FieldsWilliam Nicholson · 1927
Oil On Board
WallArt
1927
Modern
Art Gallery of New South Wales
Identification of The stack, Hoar's Fields
The stack, Hoar's Fields is a painting by Sir William Nicholson. Executed in 1927, the work reflects the artist's established approach to form and composition during the interwar period.
Nicholson, born in Newark-on-Trent, United Kingdom, developed a distinctive visual language characterized by a mastery of line and a focus on essential shapes. This specific piece belongs to a period of his career where he moved between graphic design, wood engraving, and oil painting, often emphasizing the structural qualities of his subjects.
Physical Details and Materials Used
Executed in oil on Academy board, this work measures 33.2 x 40.8 cm. In imperial measurements, the board dimensions are recorded as 13 x 16 inches (33 x 40.5 cm). The piece is housed within a frame measuring 58.6 x 67.1 x 6.5 cm.
The artist's signature and date appear on the lower left in brown oil, reading "Nicholson".
History and Provenance of the Object
The work was part of a retrospective exhibition held at the City of Nottingham Art Museum and Art Gallery in England, running from 11 March to 20 April 1933. Following this exhibition, the piece entered the collection of the Art Gallery of New South Wales. It was officially purchased in 1947 and is currently held under accession number 8044. The painting is not on display.
Historical records indicate the piece has been documented in several significant publications and catalogues. These include:
- Lillian Browse, William Nicholson, London, 1956
- Renée Free, Art Gallery of New South Wales catalogue of British paintings, Sydney, 1987
- Anne Kirker and Peter Tomory, British painting 1800–1990 in Australian and New Zealand public collections, Sydney, 1997
- Andrew Nicholson, William Nicholson-Painter, London, 1996
Documented Interpretations and Alternative Titles
The nomenclature of this work varies across several historical records and exhibition catalogues. It is identified in some collections as The Stack, Hall's Fields. This specific phrasing appears in documentation from the Art Gallery of New South Wales and in certain twentieth-century monographs. Variations of the title also link the composition to specific locations, such as Hoar’s Fields, Warminster, a designation used during an exhibition in early 1941.
Other scholarly and commercial records provide further geographic specificity. The work is catalogued as Hoare’s Fields, Warminster Downs in the catalogue raisonné of the artist's oil paintings. This version of the title is also reflected in various provenance records and commercial listings. The distinction between these titles often depends on the specific regional focus or the archival standards of the period in which the work was documented.
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About this artwork
- Title: The stack, Hoar's Fields
- Artist: William Nicholson
- Year: 1927
- Format: Panoramic
- Copyright status: Public domain
- Where to see it: Art Gallery of New South Wales
- Medium: Oil On Board
- Corpus context: mastery of line, bold simplicity
- Color palette: Earthy
- Keywords: rhythmic composition, folk art style, graphic silhouettes
Quick Facts
- Location: Art Gallery of New South Wales, Sydney
- Notable elements or techniques: Signed l.l., brown oil "Nicholson"
- Artistic style: Folk-art style, graphic and simplified
- Year: 1927
- Dimensions: 33.2 x 40.8 cm
Questions & Answers
What color harmony does "The stack, Hoar's Fields" by William Nicholson display?
"The stack, Hoar's Fields" by William Nicholson displays a strong color unity color harmony.
What subjects appear in "The stack, Hoar's Fields" by William Nicholson?
The subjects of "The stack, Hoar's Fields" are horse, animal, figure, magenta, yellow, teal, black, pattern.
Can the image of "The stack, Hoar's Fields" by William Nicholson be freely reproduced?
The copyright answer for "The stack, Hoar's Fields" by William Nicholson: the work is in the public domain - its copyright has expired. This determines whether reproductions of the image may be freely made.