Johannes The Elder Lutma: A Master of Auricular Silver

Johannes Lutma the elder (born c. 1584 in Emden, Germany; died January 1669 in Amsterdam) stands as a pivotal figure in the late 17th-century Dutch goldsmithing scene – a period marked by unprecedented artistic innovation and opulent craftsmanship. Often overshadowed by his more famous contemporaries like Rembrandt, Lutma’s legacy lies in his pioneering work with “auricular” style silver, a technique that redefined decorative possibilities and profoundly influenced subsequent generations of artisans. His life was one of constant movement and adaptation, beginning in the German Rhineland before settling permanently in Amsterdam, where he established himself as a leading designer for wealthy patrons and ecclesiastical institutions. Lutma’s early training remains somewhat shrouded in mystery, though it is generally accepted that he studied under Paulus van Vianen, a master known for his distinctive “auricular” style – characterized by smooth, ear-like forms. This stylistic approach, emphasizing flowing curves and subtle ornamentation, became the foundation of Lutma's own artistic vocabulary. Following a period in Paris around 1615, where he likely honed his skills amidst the burgeoning artistic scene, Lutma arrived in Amsterdam in 1621, marrying Mayken Roelants shortly thereafter, and later Saera de Bie. His time in the bustling commercial center of Amsterdam proved to be fertile ground for his creative development, offering access to a wealthy clientele eager for luxurious objects. Crucially, Lutma didn’t invent the auricular style entirely. It had roots in earlier German goldsmithing traditions, but Lutma refined it, pushing its boundaries and establishing a distinct visual language. He employed techniques like chasing (hammering metal to create raised designs) and repoussé (pushing metal from the back to create raised designs), combined with meticulous engraving, to achieve his desired effects. His work demonstrated an exceptional command of materials and a deep understanding of how light interacted with surface textures. This masterful manipulation of texture elevated decorative objects beyond mere ornamentation; Lutma’s creations communicated a sense of movement and rhythm that captivated viewers. The centerpiece of Lutma's oeuvre is undoubtedly the “Dish,” a stunning example of Victorian/Art Nouveau silver craftsmanship. Executed in 1641, this piece embodies the spirit of its era—a fascination with organic forms and intricate detailing. The image depicts a highly ornate silver serving dish or bowl presented against a plain white background. The composition is centered on the dish itself, emphasizing its elaborate design and reflective surface. As evidenced by detailed chasing and repoussé work – hammering the metal from the back to create raised designs – Lutma’s skill as a goldsmith was unparalleled. The texture is predominantly smooth and highly polished silver, reflecting light intensely. Lines are complex and curvilinear, forming organic shapes reminiscent of a shell or stylized flower—a direct reflection of the auricular style's core aesthetic principles. Considered a masterpiece of decorative art, Lutma’s “Dish” transcends mere functionality; it speaks to the grandeur and refinement of the Dutch Golden Age. The subtle symbolism embedded within its design – perhaps hinting at notions of prosperity and familial harmony – underscores Lutma’s ability to infuse objects with emotional resonance. Furthermore, the meticulous execution—the flawless surface finish achieved through advanced techniques—testifies to Lutma's dedication to artistic excellence. It is a testament to his mastery that this single artwork continues to inspire admiration centuries later. The Rijksmuseum in Amsterdam houses several other remarkable pieces by Lutma, including “Ewer and basin,” “Two salts” and “Cartouche in auricular style.” These works showcase Lutma’s versatility as an artist and solidify his position as one of the most influential goldsmiths of his time. Exploring these treasures offers a profound insight into the artistic sensibilities of 17th-century Holland—a period characterized by daring experimentation and breathtaking beauty.

• Material: Silver
• Technique: Chasing & Repoussé
• Style: Victorian/Art Nouveau
• Date: 1641

For making this dish, Lutma used the technique of chasing, or hammering the sheet of silver into the desired form. The handle is formed by a tortoise-like animal which hangs its head into the dish. Lutma engraved his name in full on the underside of the dish.