Dinner DressCharles Frederick Worth · 1892

  • Maalivärv või tehnikaTextile
  • Materjali tüüpTextile
  • KunstisuunadArt Nouveau
  • Loomimisaeg1892
  • Kunstiajastu19th Century
  • MuuseumThe Kyoto Costume Institute

Charles Frederick Worth (1825 – 1895)

Avastage Charles Frederick Worth (1825-1895), 'haute couture' isand. Uurige tema innovaatilisi disainne, luksuslikke kude ja mõju 19. sajandi moele. Vaadake kleite ja veelgi!

The Kyoto Costume Institute (Kyoto, Japan)

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Identification of the Dinner Dress

The Dinner Dress is a garment created by the designer Charles Frederick Worth. This piece is a type of dress that dates to about 1892. It is currently held within the collection of The Kyoto Costume Institute in Kyoto, Japan.

The work is an example of late nineteenth-century fashion. It features a specific silhouette characterized by large sleeves and a pattern of scattered chrysanthemums. This particular design reflects the Japonism style prevalent during the period.

Visual Description and Style

The garment is an off-white silk satin ensemble featuring a scattered chrysanthemum pattern across the textile. This motif substantiates the Japonism style prevalent during the period. The silhouette is defined by large velvet gigot sleeves, also referred to as elephant sleeves, which create significant volume at the arms. Lace decoration is applied to the cuffs and the collar of the dress.

The design reflects the aesthetic of the Japonism movement through its specific use of botanical imagery. The chrysanthemum pattern is distributed throughout the fabric rather than being concentrated in a single area. The construction utilizes heavy velvet for the sleeves to contrast with the lighter silk satin of the main body. The lace elements at the neck and wrists provide a textural distinction from the smooth silk and the plush velvet.

Materials and Construction Details

The primary textile of this garment is an off-white silk satin. A woven chrysanthemum pattern is integrated throughout the fabric, creating a repeating motif across the surface of the material. The construction utilizes this specific weight of silk to maintain the structure of the skirt and bodice.

The sleeves are constructed from velvet, designed in a large "gigot" or "elephant" shape that reaches maximum volume. These voluminous sleeves contrast with the smoother texture of the silk satin body. Lace decoration is applied to the cuffs and the collar, providing a textural variation to the sleeves and neckline.

Related Works by Charles Frederick Worth

The designer's body of work includes a dress from 1868. This specific garment is held in the collection of the Design Museum of Barcelona. The piece reflects the construction methods and silhouettes established during the mid-nineteenth century.

Another example of his output is a yellow evening gown (back) from 1914. This garment is located in The National Museum of Denmark, Copenhagen. The work represents a later period in the history of the House of Worth.


Teose info

  • Pealkiri: Dinner Dress
  • Kunstnik: Charles Frederick Worth
  • Aasta: 1892
  • Formaat: Portrait
  • Autoriõiguste staatus: Avalik omand
  • Kust seda näeb: The Kyoto Costume Institute
  • Liikumine: Art Nouveau
  • Tehnika või materjal: Textile
  • Värvigamma: Pastels
  • Motsisõnad: velvet sleeves, japonism style, off-white silk satin

Teave teose kohta

  • Year: c. 1892
  • Artistic style: Japonism
  • Movement: Japonism
  • Notable elements or techniques: Gigot sleeves and chrysanthemum pattern
  • Location: The Kyoto Costume Institute, Kyoto

Kord vagistamine

Kust saab teose „Dinner Dress“, autor Charles Frederick Worth täna vaadata?

Teos „Dinner Dress“, autor Charles Frederick Worth on näitustel The Kyoto Costume Institute, Kyoto, Japan. Muuseumi keterangane viitab originaalteosele, mitte reproduktsioonidele.

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Kuidas teose "Dinner Dress" motiiv seobub Charles Frederick Worth tavalistega teemadega?

"Dinner Dress" kujutab teemasid woman, dress, hat, jacket, sleeves, chrysanthemum, samal ajal kui Charles Frederick Worth tuntud teemad on japonism style, haute couture foundation, luxury silk satin, dramatic silhouette, chrysanthemum motif. Nende kahe võrdlemine näitab, kuidas teos seobub kunstniku tavalistega motiividega.

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