TapestryStuart Daniel Baker · 1890
Embroidery
Textile
Folk Art
1890
19th Century
156.0 x 150.0 cm
Casa de los Tiros
Stuart Daniel Baker (1954 –)
Stuart Daniel Baker : musicien rockabilly et artiste visuel reconnu pour ses œuvres photographiques et textiles captivantes ! Découvrez son univers artistique unique et inspiré par la beauté des lieux anciens.
Casa de los Tiros (Granada, España)
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A Threaded Mythology
Indigo blue forms the deep, silent ocean upon which this scene floats. Every stitch is a small, deliberate act of memory, pulling wool through fabric to build a world of raised textures and heavy shadows. The composition centers on a medallion, a circular anchor for the eye, from which a frantic, beautiful geometry radiates outward. It is a dense thicket of shapes where birds and mythical creatures emerge from the dark dye, their forms defined by the thickness of the thread rather than the stroke of a brush. The surface is not flat; it is a landscape of tactile ridges and valleys that catch the light in uneven, honest ways.
The Language of the Stitch
The work operates through a vocabulary of symbols, each one a knot of color against the deep blue base. The imagery draws from the well of folk traditions, where every creature carries a weight of meaning beyond its physical shape. Within this embroidered field, one finds:
- Birds that suggest the movement of spirits or the lightness of breath.
- Suns and stars that map out a celestial, patterned heaven.
- Floral motifs that bloom in permanent, woolen stillness.
- Geometric borders that contain the chaos of the central figures.
These elements do not compete for space; they occupy it with a crowded, rhythmic abundance. The technique relies on the varied weight of the wool, creating a relief that invites the touch. It is a slow art, built one loop at a time, capturing a sense of storytelling through the physical presence of the material.
The Weight of the Past
Created in 1890, this piece carries the quiet gravity of a bygone era. It avoids the illusion of depth, choosing instead to embrace the flatness of the textile. There is no attempt to mimic the three-dimensional world; there is only the truth of the thread and the pattern. The work feels like a fragment of a larger, forgotten story, a piece of cultural fabric that has survived the passage of time through its sheer density of detail. It is a quiet, heavy thing. The blue remains deep.
À propos de cette œuvre
- Titre: Tapestry
- Artiste: Stuart Daniel Baker
- Année: 1890
- Dimensions originales: 156.0 x 150.0 cm
- Format: Square
- Statut du droit d'auteur: Sous droit d'auteur
- Lieu d'exposition: Casa de los Tiros
- Technique mixte: Embroidery
- Technique: Textile
- Contexte du corpus: textile experimentation, narrative richness
Informations clés
- Dimensions: 156 x 150 cm
- Subject or theme: Mythical creatures, animals, and flora
- Year: 1890
- Medium: Embroidered wool thread on blue textile
Questions et réponses
Où et pour quel usage l'œuvre "Tapestry" est-elle recommandée ?
L'utilisation (Cultural) et l'espace (Living Room) sont les deux recommandations enregistrées pour «Tapestry» de Stuart Daniel Baker.
Comment la composition chromatique de «Tapestry» de Stuart Daniel Baker est-elle construite ?
L'analyse chromatique de «Tapestry» de Stuart Daniel Baker révèle un Gentle contraste et une Discordant Palette harmonie.
Quelle est l'orientation de «Tapestry» de Stuart Daniel Baker ?
«Tapestry» de Stuart Daniel Baker présente un format Square. Le format décrit les proportions de la composition.