TapestryStuart Daniel Baker · 1890

  • Technique de peintureEmbroidery
  • Technique utiliséeTextile
  • Mouvement artistiqueFolk Art
  • Date de création1890
  • Période artistique19th Century
  • Dimensions156.0 x 150.0 cm
  • MuséeCasa de los Tiros

Stuart Daniel Baker (1954 –)

Stuart Daniel Baker : musicien rockabilly et artiste visuel reconnu pour ses œuvres photographiques et textiles captivantes ! Découvrez son univers artistique unique et inspiré par la beauté des lieux anciens.

Casa de los Tiros (Granada, España)

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A Threaded Mythology

Indigo blue forms the deep, silent ocean upon which this scene floats. Every stitch is a small, deliberate act of memory, pulling wool through fabric to build a world of raised textures and heavy shadows. The composition centers on a medallion, a circular anchor for the eye, from which a frantic, beautiful geometry radiates outward. It is a dense thicket of shapes where birds and mythical creatures emerge from the dark dye, their forms defined by the thickness of the thread rather than the stroke of a brush. The surface is not flat; it is a landscape of tactile ridges and valleys that catch the light in uneven, honest ways.

The Language of the Stitch

The work operates through a vocabulary of symbols, each one a knot of color against the deep blue base. The imagery draws from the well of folk traditions, where every creature carries a weight of meaning beyond its physical shape. Within this embroidered field, one finds:

  • Birds that suggest the movement of spirits or the lightness of breath.
  • Suns and stars that map out a celestial, patterned heaven.
  • Floral motifs that bloom in permanent, woolen stillness.
  • Geometric borders that contain the chaos of the central figures.

These elements do not compete for space; they occupy it with a crowded, rhythmic abundance. The technique relies on the varied weight of the wool, creating a relief that invites the touch. It is a slow art, built one loop at a time, capturing a sense of storytelling through the physical presence of the material.

The Weight of the Past

Created in 1890, this piece carries the quiet gravity of a bygone era. It avoids the illusion of depth, choosing instead to embrace the flatness of the textile. There is no attempt to mimic the three-dimensional world; there is only the truth of the thread and the pattern. The work feels like a fragment of a larger, forgotten story, a piece of cultural fabric that has survived the passage of time through its sheer density of detail. It is a quiet, heavy thing. The blue remains deep.


À propos de cette œuvre

  • Titre: Tapestry
  • Artiste: Stuart Daniel Baker
  • Année: 1890
  • Dimensions originales: 156.0 x 150.0 cm
  • Format: Square
  • Statut du droit d'auteur: Sous droit d'auteur
  • Lieu d'exposition: Casa de los Tiros
  • Technique mixte: Embroidery
  • Technique: Textile
  • Contexte du corpus: textile experimentation, narrative richness

Informations clés

  • Dimensions: 156 x 150 cm
  • Subject or theme: Mythical creatures, animals, and flora
  • Year: 1890
  • Medium: Embroidered wool thread on blue textile

Questions et réponses

Où et pour quel usage l'œuvre "Tapestry" est-elle recommandée ?

L'utilisation (Cultural) et l'espace (Living Room) sont les deux recommandations enregistrées pour «Tapestry» de Stuart Daniel Baker.

Comment la composition chromatique de «Tapestry» de Stuart Daniel Baker est-elle construite ?

L'analyse chromatique de «Tapestry» de Stuart Daniel Baker révèle un Gentle contraste et une Discordant Palette harmonie.

Quelle est l'orientation de «Tapestry» de Stuart Daniel Baker ?

«Tapestry» de Stuart Daniel Baker présente un format Square. Le format décrit les proportions de la composition.

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