Bandstand
Akril na platnu
Zidna umjetnost
Victorian Romanticism
1862
Royal Institute of British Architects
Bandstand: A Vision of Victorian Grandeur
Central Park’s Bandstand stands as a testament to ambition, artistry, and the enduring allure of European park design—a deliberate echo of the Crystal Palace exhibition that captivated Britain in 1853. Commissioned in 1862 by Calvert Vaux and Frederick Law Olmsted, it represents a pivotal moment in shaping New York City’s landscape and establishing Central Park as a beacon of civic pride. The project was conceived as an antidote to the prevailing urban blight—a bold assertion that parks could elevate human experience and foster social cohesion.- Architect: Jacob Wrey Mould
- Year Created: 1862
- Location: Central Park, New York City
- Style: Neo-Classical
- Material: Cast Iron Columns & Wood Frame
- Technique: Polychromy
- Symbolism: Represents Harmony & Civic Pride
Royal Institute of British Architects (London, Ujedinjeno Kraljevstvo)
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O ovom umjetničkom djelu
- Naslov: Bandstand
- Umjetnik: jacob wrey mould
- Godina: 1862
- Format: Vodoravna orijentacija
- Status autorskih prava: Dostupno u javnom vlasništvu
- Gdje vidjeti djelo: Royal Institute of British Architects
- Razdoblje stvaranja: Mature Victorian
- Kontekst korpusa: public celebration music, central park legacy
- Dominantna boja: Espresso
- Ključne riječi: moorish dekoracija, victorian arhitektura, dekorativna umjetnost
Osnovne informacije
- Year: 1862
- Title: Bandstand
- Medium: Fotoprint
- Location: RIBA Collections
- Influences: Europanski park arhitektura
- Notable elements or techniques: Moorish & Gothic detalji
- Movement: Victorian