CrucifixionBernardo Daddi · 1340

  • Festékanyag típusaOil On Panel
  • Művészeti irányzatGothic art
  • Készítés ideje1340
  • Művészeti korszakLate Medieval
  • Méretek74.0 x 33.0 cm
  • MúzeumCollezione Vittorio Cini

Bernardo Daddi (1290 – 1348)

Bernardo Daddi (1290-1348) a korai reneszánsz meghatározó firenzei festője volt, összekötve a gótikát és az új realizmust. Híres taşítható oltárképeiről és lírai eleganciájáról. Fedezze fel műveit az Mus3ums-on!

Collezione Vittorio Cini (Venice, Italy)

Discover Palazzo Cini in Venice: a stunning gallery showcasing Renaissance masterpieces & 20th-century Italian art. Explore Venetian paintings, sculptures, and decorative arts within a historic palace.

The Crucifixion by Bernardo Daddi is a captivating painting that showcases the artist's skill and artistic vision. Created in 1340, this masterpiece measures 74 x 33 cm and is housed at the Collezione Vittorio Cini in Venice, Italy. The painting is a prime example of Gothic art, characterized by its use of gold leaf, elongated forms, and detailed patterns.

Composition and Symbolism

The central figure of the painting is a crucifixion scene with Jesus Christ depicted on the cross. To the left of the cross stands Mary Magdalene, identifiable by her long hair and red robe, who is shown in a pose of grief and contemplation. On the right side of the cross, there is another figure that appears to be John the Evangelist, dressed in a blue robe with a halo around his head, also in a posture of mourning. The background features a golden sky with clouds, which adds to the ethereal quality of the scene. Key elements of the painting include the use of gold leaf, intricate patterns, and detailed architectural structures. The overall composition of the painting suggests it may have been created as a devotional piece, possibly for private prayer or meditation. For more information on Bernardo Daddi and his works, visit /art/list/?Filter=8Y35Z7-Bernardo-Daddi-Crucifixion.

Artist and Style

Bernardo Daddi was a renowned artist from the Florentine school, known for his contributions to the development of Gothic art. His style is characterized by the use of tempera and gold leaf, which gives his paintings a unique and captivating quality. For more information on the Collezione Vittorio Cini and its collection, visit /art/list/?Filter=A@D3BS49-The-Museum-Collezione-Vittorio-Cini-(Venice-Italy).
  • View more paintings by Bernardo Daddi at /en/art/show/art-8y35z7-en/
  • Learn more about the Collezione Vittorio Cini at /art/list/?Filter=A@D3BS49-The-Museum-Collezione-Vittorio-Cini-(Venice-Italy)

The Crucifixion by Bernardo Daddi is a masterpiece of Gothic art that continues to captivate audiences with its beauty and symbolism. As a professional expert in Art and https://Mus3ums.com salesman, I highly recommend exploring the world of handmade oil paintings reproductions, where you can find stunning pieces like this one.

A műről

  • Cím: Crucifixion
  • Művész: Bernardo Daddi
  • Év: 1340
  • Eredeti méretek: 74.0 x 33.0 cm
  • Formátum: Tall
  • Szerzői jogi státusz: Közösségi tulajdonú alkotás
  • Hol tekinthető meg: Collezione Vittorio Cini
  • Mozgalom: Gothic art
  • Építés / Készült: Late Medieval
  • Színpaletta: Earthy

Gyors információk

  • Dimensions: 74 x 33 cm
  • Influences: Flemish school
  • Location: Collezione Vittorio Cini
  • Medium: Tempera and gold leaf
  • Artistic style: Gothic
  • Subject or theme: Crucifixion scene

Kérdések és válaszok

Milyen fényerő ébreszt fel „Crucifixion”, Bernardo Daddi alkotása alkotást?

A megjelenő fényerő tekintetében a „Crucifixion”, Bernardo Daddi alkotása művének shadow.

Milyen reprodukciós méretet javasol a „Crucifixion”, Bernardo Daddi alkotása alkotáshoz?

A „Crucifixion”, Bernardo Daddi alkotása alkotáshoz egy Medium méretű reprodukciót javasolunk. A méret az arányok megőrzésével módosítható.

Mely helyet foglal el a művészettörténetben a „Crucifixion”, Bernardo Daddi alkotása?

A „Crucifixion”, Bernardo Daddi alkotása a Gothic art irányzat alkotása, a Late Medieval korszakból. Ezek együtt adják meg a mű helyét a művészettörténetben.

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