Dvacet čtyři paragony čestnosti vůči rodičům
Drevorezbovaná tlač
Japanese Ukiyo-e Tradition
1852
Keio University Library
Kuniyoshi Utagawa (1797 – 1861)
Utagawa Kuniyoshi (1798-1861) bol majstrom japonských ukiyo-e maľieb, známy svojimi dynamickými bojovými scéňami a kombináciou tradičných a západných techník. Pozrite si jeho ikonické diela!
Keio University Library (Tokio, Japonsko)
8 minút pešej trasy od stanice JR Tamachi, 7 minút pešej trasy od stanice Toei Subway Mita a 8 minút pešej trasy od stanice Akabanebashi
Utagawa Kuniyoshi: A Vision of Reverence Embodied in “The Twenty-four Paragons of Filial Piety”
Utagawa Kuniyoshi’s monumental woodblock print, “The Twenty-Four Paragons of Filial Piety,” transcends mere visual representation; it's a profound meditation on Buddhist and Confucian ideals distilled into the breathtaking beauty of Japanese landscape art. Created in 1852 during his prolific career—a period marked by unparalleled dynamism within the *ukiyo-e* movement—this masterpiece continues to captivate audiences with its dramatic composition, masterful technique, and enduring symbolic resonance. It stands as a testament to Kuniyoshi’s artistic genius and his ability to convey complex spiritual concepts through accessible imagery.- Subject Matter & Narrative Depth: The print depicts twenty-four deities—representing virtues associated with filial piety—engaged in various acts of devotion towards their parents. This narrative unfolds across a vast expanse of mountainous terrain, punctuated by temples and serene waterways. Kuniyoshi skillfully captures the essence of Confucian ethics – emphasizing respect for elders and upholding familial harmony – alongside Buddhist teachings concerning compassion and enlightenment.
- Style & Composition: Characteristic of Kuniyoshi’s oeuvre, “The Twenty-Four Paragons” adheres rigorously to *ukiyo-e* conventions. Bold outlines delineate figures and architectural elements with unwavering precision, while flattened planes of color create a striking visual impact. A dominant diagonal axis—established by the central deity’s posture—guides the viewer's gaze across the expansive landscape, fostering a sense of dynamism and conveying the grandeur of the scene.
- Symbolism & Visual Language: Each deity embodies a specific virtue—such as righteousness, benevolence, and wisdom—symbolically representing the core tenets of filial piety. The landscape itself functions as an allegorical representation of paradise – evoking tranquility, purity, and spiritual enlightenment. Kuniyoshi’s masterful use of color—primarily blues and greens—underscores these themes, creating a harmonious visual experience that transcends mere decoration.
O tomto dielo
- Názov: Dvacet čtyři paragony čestnosti vůči rodičům
- Umenec: Kuniyoshi Utagawa
- Rok: 1852
- Formát: Portrait
- Stav autorského práva: Verejná vlastnícky právo
- Kde si ho pozrieť: Keio University Library
- Pohyb: Japanese Ukiyo-e Tradition
- Technika: Drevorezbovaná tlač
- Hlavná farba: Ružovo hnedá
- Účel: Akcentujúce
Základné informácie
- Subject or theme: Filialná úcta
- Dimensions: Nieznáme
- Medium: Ukiyo-e drevený blokový tlač
- Notable elements or techniques: Dynamická kompozícia, perspektívna hĺbka
- Artistic style: Rozprávajúci obraz
- Movement: Edo obdobie
- Influences:
- Konfucianizmus
- Budhizmus
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