At the PianoАлберт ЕделфелтNone

  • Tehnika slikanjaOil On Canvas
  • Tehnika izradeWallArt
  • Umetnički pravacImpressionistic Realism
  • Umetnička epoha19th Century

Алберт Еделфелт (1854 – 1905)

Finski realista poznat po naturalističkoj svetlosti i istorijskim scenama iz zlatnog doba.

The Composition and Subject Matter

The artwork depicts a man and a woman engaged in a musical moment at a piano. The woman is seated at the instrument, wearing a soft blue-grey gown and featuring reddish-brown hair styled in an updo. The man is positioned behind her, with his arm resting around her shoulder. Visible sheet music is placed on the piano stand. The scene is set within an interior featuring a softly patterned screen in the background.

The painting is rendered in an oil medium. The lighting is described as soft and warm, contributing to a cozy atmosphere within the domestic setting.

Technical Details and Provenance

Artwork Details:


O ovom umetničkom delu

  • Naslov: At the Piano
  • Umetnik: Алберт Еделфелт
  • Format: Square
  • Status autorskih prava: Javno dobro
  • Pokret: Impressionistic Realism
  • Tehnika i materijal: Oil On Canvas
  • Tehnika izrade: WallArt
  • Kreativni period: Mature Period
  • Kontekst korpusa: swedish finnish tradition, harmony balance
  • Ključne reči: impressionism, women musicians, finnish art

Osnovne informacije

  • Influences: Jean-Léon Gérôme
  • Title: At the Piano
  • Subject or theme: Musical Performance
  • Location: Private Collection
  • Year: 1890

Često postavljana pitanja

Na koji način se stil dela "At the Piano" odnosi na epohu njegovog tvorca?

„At the Piano“ pripada pravcu Impressionistic Realism, a njen autor je stvarao u periodu 19. vek.

Kolika je percepcija osvetljenosti dela „At the Piano”, autor Алберт Еделфелт?

U pogledu percepcije osvetljenosti, „At the Piano”, autor Алберт Еделфелт je deep_shadow.

Koja boja dominira kompozicijom dela „At the Piano”, autor Алберт Еделфелт?

Dominantna boja dela „At the Piano”, autor Алберт Еделфелт je Gray (#756d71).

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