CrucifixionBernardo Dadī · 1340

  • Tehnika slikanjaOil On Panel
  • Umetnički pravacGothic art
  • Datum nastanka1340
  • Umetnička epohaLate Medieval
  • Dimenzije74.0 x 33.0 cm
  • MuzejCollezione Vittorio Cini

Bernardo Dadī (1290 – 1348)

Bernardo Daddi (1290-1348) bio je vodeći florentinski slikar ranog renesansnog doba, spajajući gotiku i novi realizam. Poznat po prenosivim oltarima, lirskoj eleganciji i uticaju Đota i Lorencetija. Istražite njegova dela!

Collezione Vittorio Cini (Venice, Italy)

Discover Palazzo Cini in Venice: a stunning gallery showcasing Renaissance masterpieces & 20th-century Italian art. Explore Venetian paintings, sculptures, and decorative arts within a historic palace.

The Crucifixion by Bernardo Daddi is a captivating painting that showcases the artist's skill and artistic vision. Created in 1340, this masterpiece measures 74 x 33 cm and is housed at the Collezione Vittorio Cini in Venice, Italy. The painting is a prime example of Gothic art, characterized by its use of gold leaf, elongated forms, and detailed patterns.

Composition and Symbolism

The central figure of the painting is a crucifixion scene with Jesus Christ depicted on the cross. To the left of the cross stands Mary Magdalene, identifiable by her long hair and red robe, who is shown in a pose of grief and contemplation. On the right side of the cross, there is another figure that appears to be John the Evangelist, dressed in a blue robe with a halo around his head, also in a posture of mourning. The background features a golden sky with clouds, which adds to the ethereal quality of the scene. Key elements of the painting include the use of gold leaf, intricate patterns, and detailed architectural structures. The overall composition of the painting suggests it may have been created as a devotional piece, possibly for private prayer or meditation. For more information on Bernardo Daddi and his works, visit /art/list/?Filter=8Y35Z7-Bernardo-Daddi-Crucifixion.

Artist and Style

Bernardo Daddi was a renowned artist from the Florentine school, known for his contributions to the development of Gothic art. His style is characterized by the use of tempera and gold leaf, which gives his paintings a unique and captivating quality. For more information on the Collezione Vittorio Cini and its collection, visit /art/list/?Filter=A@D3BS49-The-Museum-Collezione-Vittorio-Cini-(Venice-Italy).
  • View more paintings by Bernardo Daddi at /en/art/show/art-8y35z7-en/
  • Learn more about the Collezione Vittorio Cini at /art/list/?Filter=A@D3BS49-The-Museum-Collezione-Vittorio-Cini-(Venice-Italy)

The Crucifixion by Bernardo Daddi is a masterpiece of Gothic art that continues to captivate audiences with its beauty and symbolism. As a professional expert in Art and https://Mus3ums.com salesman, I highly recommend exploring the world of handmade oil paintings reproductions, where you can find stunning pieces like this one.

O ovom umetničkom delu

  • Naslov: Crucifixion
  • Umetnik: Bernardo Dadī
  • Godina: 1340
  • Prvobitne dimenzije: 74.0 x 33.0 cm
  • Format: Tall
  • Status autorskih prava: Javno dobro
  • Mesto izlaganja: Collezione Vittorio Cini
  • Pokret: Gothic art
  • Epoha: Late Medieval
  • Paleta boja: Earthy

Osnovne informacije

  • Dimensions: 74 x 33 cm
  • Influences: Flemish school
  • Location: Collezione Vittorio Cini
  • Medium: Tempera and gold leaf
  • Artistic style: Gothic
  • Subject or theme: Crucifixion scene

Često postavljana pitanja

Kolika je percepcija osvetljenosti dela „Crucifixion”, autor Bernardo Dadī?

U pogledu percepcije osvetljenosti, „Crucifixion”, autor Bernardo Dadī je shadow.

Koja veličina reprodukcije se preporučuje za „Crucifixion”, autor Bernardo Dadī?

Za „Crucifixion”, autor Bernardo Dadī preporučuje se reprodukcija u veličini Medium. Veličina se može prilagoditi uz zadržavanje proporcija.

Gde se „Crucifixion”, autor Bernardo Dadī nalazi u istoriji umetnosti?

„Crucifixion”, autor Bernardo Dadī pripada pravcu Gothic art, unutar perioda Late Medieval. Zajedno, oni delu daju njegovo mesto u istoriji umetnosti.

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