Study of a Madonna looking upward
Acrylic On Canvas- WallArt
- Baroque
31.0 x 44.0 cm
Kupferstichkabinett
Anthony Van Dyck (1599 – 1641)
Anthony van Dyck (1599-1641): Flaman Rönesansı ustası, aristokrat Avrupa ve Kral I. Charles’ın portreleriyle tanınıyor. İngiliz sanatına etkisi büyük; dini eserleri ve özgün tarzıyla öne çıkıyor.
Kupferstichkabinett (Berlin, Deutschland)
Berlin Devlet Müzeleri'nin en ikonik eserlerini keşfedin! Nefertiti büstünden Pergamon Sunağı’na, Alman sanatının ve dünya tarihinin büyüleyici hikayelerini okuyun. Berlin, Devlet Müzeleri, İkonik Eserler, Sanat Tarihi Almanya Berlin Berlin Devlet Müzesi İkonik Eserler Milyonlarca yıllık sanat eserleri Devlet Müzesi 1823
This study of a woman gazing upward, executed on blue paper, was created at the end of the artist’s stay in Antwerp and Brussels in the years 1634-35, prior to his return to England. The head and draped upper body are recorded with concise and organic chalk lines; the white highlights indicate more brightly lit passages. The figure served as a study for the mourning Mary, Mother of God, in a Lamentation of Christ that has been preserved in several versions. However, in the paintings, the position of the head and the passage including the shoulders differ somewhat from their form in the drawing. The economy of Anton van Dyck’s manner of working is revealed by the fact that he did not elaborate those parts of the figure that were subsequently to be concealed behind the body of Christ.
Eser Hakkında
- Başlık: Study of a Madonna looking upward
- Sanatçı: Anthony Van Dyck
- Orijinal boyutlar: 31.0 x 44.0 cm
- Biçim: Portrait
- Telif hakkı durumu: Kamu malı
- Nerede görülebilir?: Kupferstichkabinett
- Teknik türü: WallArt
- Renk paleti: Monochrome
- Ana renk: Rosy Brown
- Amaç: Accent
Kısa Bilgiler
- Location: Private Collection
- Dimensions: 31 x 44 cm
- Artistic style: Realistic with expressive gesture
- Influences: Rubens
- Subject or theme: Religious contemplation
- Title: Study of a Madonna looking upward
- Notable elements or techniques: Loose lines; organic chalk
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