Tuz
Baroque Silverware
1639
Rijksmuseum
johannes the elder lutma (1587 – 1669)
Johannes the Elder Lutma (1587-1669), a German goldsmith & silversmith, renowned for intricate enamel work & decorative objects. Explore his exquisite ewer, salt dishes & cartouches.
Rijksmuseum (Amsterdam, Netherlands)
Amsterdam'daki Rijksmuseum'da Hollanda sanatını ve tarihini keşfedin! Rembrandt, Vermeer ve Van Gogh'un ikonik eserlerine hayran kalın - 800 yıllık bir kültür yolculuğu. Modern ve çağdaş sanat 1 Rijksmuseum koleksiyonunun temel odağı nedir?
Johannes Lutma’s Baroque Legacy: Exploring ‘Salt’ – A Masterpiece of Auricular Silver
Johannes Lutma the elder (born c. 1584 in Emden, Germany; died January 1669 in Amsterdam) stands as a cornerstone of late 17th-century Dutch goldsmithing, an era defined by breathtaking artistic innovation and opulent craftsmanship. Often overshadowed by luminaries like Rembrandt, Lutma’s enduring significance resides not merely in quantity but in the profound transformation he instigated within decorative arts – specifically through his pioneering mastery of “auricular” style silver. This technique, championed by Paulus van Vianen before him, fundamentally reimagined sculptural possibilities and exerted a lasting influence on subsequent artisans, securing Lutma's place as one of the most influential figures of his time. His formative years were spent honing his skills in Emden, under the tutelage of Paulus van Vianen, whose distinctive auricular style – characterized by its intricate embossing and relief decoration – established a precedent for Lutma’s own artistic endeavors. This stylistic approach wasn't simply about embellishment; it represented a deliberate embrace of classical ideals, reflecting the humanist spirit prevalent in Rome during Lutma’s formative years. The influence of Roman antiquity is palpable in Lutma’s work, where motifs like children – a favored subject in sculpture throughout history – are skillfully integrated into decorative elements. As Lutma himself absorbed these artistic currents while residing in Rome in 1630, he mirrored the evolving sensibilities of his time, demonstrating an astute understanding of aesthetic trends.- Subject Matter: The artwork depicts a silver salt cellar, meticulously crafted in the form of a bird – likely a goose or duck – embodying both grace and practicality.
- Style: Lutma’s ‘Salt’ exemplifies Baroque artistry, characterized by dramatic ornamentation, dynamic movement, and an emphasis on grandeur. It aligns perfectly with the artistic fervor of Amsterdam during Lutma's lifetime.
- Technique: Lutma’s exceptional skill is evident in the auricular technique itself – a painstaking process involving embossing and engraving to create raised surfaces adorned with elaborate designs. The silver was skillfully gilded, enhancing its luminosity and visual impact.
- Material: Silver (parcel)
- Dimensions: Unknown
- Date: 1639
Bu sanat eseri hakkında
- Eser Adı: Tuz
- Sanatçı: johannes the elder lutma
- Yıl: 1639
- Biçim: Dikey format
- Telif hakkı durumu: Kamu malı (telif hakkı bulunmayan)
- Sergilendiği yer: Rijksmuseum
- Külliyat bağlamı: dutch silverware tradition, classical ornamentation style
- Renk paleti: Nötr Tonlar
- Anahtar Kelimeler: kristal tasarım, tuz çeşmesi, çocuk motifleri
- Renk tonu: Sıcak Gün Batımı Tonları
Hızlı Bilgiler
- Title: Salt
- Year: 1639
- Location: Rijksmuseum
- Influences: Roman Antiquity
- Notable elements or techniques: Auricular style
- Medium: Silver, parcel
- Movement: Baroque