Self-PortraitPhilip de László · 1911

Identification of the Self-Portrait

In this 1911 oil on canvas, the artist Philip de László turns the gaze inward. Titled Self-Portrait, the work presents a direct encounter with the painter himself, Philip Alexius de László. It is a quiet moment of introspection captured during a period of established professional standing. The subject and the creator are one and the same, offering a rare glimpse into the man behind the formal portraits of the European elite.

The painting serves as a personal record of Philip de László. By choosing to depict himself, the artist provides a study of his own features, including his mustache and the hat he wears. This choice allows for a level of scrutiny and honesty that is often absent when he is occupied with the social requirements of his high-society clientele. The work remains a significant example of his ability to observe and translate character through a focused, singular perspective.

Composition and Visual Details

The composition is centered on the subject, a man presented in formal attire. He wears a hat that frames the upper portion of the figure, while a well-defined mustache adds a sense of distinction to his facial features. The arrangement of the figure occupies much of the frame, creating a balanced and steady presence. His gaze is directed slightly to the side, avoiding a direct confrontation with the viewer, which lends a quiet, contemplative quality to the work.

A dark background surrounds the figure, stripping away any environmental distractions. This choice of setting pushes the subject forward, ensuring that the focus remains entirely on the textures of his clothing and the nuances of his expression. The lighting emphasizes the contours of his face and the specific details of his grooming. There is a deliberate economy in the way the space is used, allowing the man's silhouette and posture to define the visual weight of the piece.

Technical Details and Medium

This work is executed in oil on canvas, a choice that allows for the meticulous rendering of the subject's features and the subtle textures of his attire. The artist's handling of the medium provides a sense of presence, particularly in the way light interacts with the skin tones and the fabric of the hat. The application of paint is controlled, focusing the viewer's attention on the character of the sitter through precise brushwork.

The physical presence of the piece is intimate. It measures 56 cm in height and 46 cm in width. The stretcher, which supports the canvas, has dimensions of 55.9 × 46 cm (22 × 18 1/8"). This scale encourages a close, personal encounter with the portrait, inviting a quiet observation of the details that define the man's expression and social standing.

History and Collections

This portrait holds a significant place within the Hungarian National Gallery collection. It was originally commissioned for the Vasari Corridor, a placement that speaks to its intended importance and the artist's standing during that period. The work is cataloged under accession number FK1011 and is also identified by the object number HU900001.

The provenance of the piece is closely tied to the artist's personal history and his connection to the Hungarian National Gallery. It remains a key part of the institution's holdings, preserved as a record of the artist's own likeness from 1911.

Where to See the Work

This portrait is held within the permanent collection of the Hungarian National Gallery. It remains a significant part of their holdings, representing a personal moment captured by the artist in 1911. While the work is part of this esteemed collection, it is currently not on view to the public. Its presence in the gallery ensures its preservation for future study and appreciation.

For those interested in seeing the piece, it is located in the Hungarian National Gallery. Because it is not currently displayed, one must check the gallery's specific exhibition schedule to determine when it might be made accessible. It is a quiet piece that rewards a patient observer when it is finally brought out from its current resting place.