Simon Patrick彼得·莱利 · 1680

Portrait of Simon Patrick by Sir Peter Lely

This oil on canvas portrait depicts Simon Patrick and was executed by the artist Peter Lely. The work is dated about 1668. It is held within the National Portrait Gallery collection and is identified by the catalog number NPG 1500. The painting is presented in a feigned oval format, a technique that creates the illusion of a framed window within the rectangular plane of the canvas.

The subject is shown in a three-quarter view, positioned against a dark, indeterminate background. He possesses voluminous, curly hair that frames a face characterized by a calm expression. A prominent, white rectangular collar, known as a falling band, rests against a dark garment. The lighting is directional, casting one side of the sitter's face into shadow while illuminating the other side and the crisp texture of the white linen collar.

The composition focuses on the physical features of the sitter, utilizing high contrast to establish three-dimensionality. The brushwork captures the specific textures of the hair and the skin. This portrait remains part of the permanent collection at the National Portrait Gallery, London, and has been on display at Lyme Park, Stockport.

Composition and Visual Elements of the Portrait

The subject is presented in a three-quarter view, oriented slightly toward the viewer. He possesses long, voluminous, curly hair that frames the face. A dark garment covers the torso, accented by a crisp, white rectangular collar known as a falling band. The composition utilizes an illusionistic oval frame, creating a window-like effect that directs focus toward the sitter. This feigned oval technique establishes a sense of depth between the viewer and the subject.

Directional lighting illuminates one side of the face and the white collar, while the opposite side and the background remain in deep shadow. This high-contrast arrangement creates a strong sense of three-dimensionality. The textures within the oil on canvas range from the soft, organic curls of the hair to the smooth surface of the skin. The decorative border possesses a heavy, sculptural appearance that contrasts with the finer brushwork used for the facial features and light reflections.