TapestryStuart Daniel Baker · 1890

  • MalmediumEmbroidery
  • MaterialartTextile
  • KunstrichtungFolk Art
  • Entstehungsdatum1890
  • Kunstperiode19th Century
  • Abmessungen156.0 x 150.0 cm
  • MuseumMuseo Casa de los Tiros de Granada

Stuart Daniel Baker (1954 –)

Stuart Daniel Baker: Ein Musikerkünstler und außergewöhnlicher Sprecher für Squidbillies! Entdecken Sie seine beeindruckenden monochromen Drucke und Wandbilder – Kunstwerke voller Geschichte und Atmosphäre.

Museo Casa de los Tiros de Granada (Granada, Spanien)

Entdecken Sie Granadas reiche Geschichte im Museo Casa de los Tiros! Renaissance-Kunst, Fajalauza-Keramik & königliche Porträts in diesem prächtigen Palast aus dem 16. Jahrhundert. Eintritt frei für EU-Bürger!

A Threaded Mythology

Indigo blue forms the deep, silent ocean upon which this scene floats. Every stitch is a small, deliberate act of memory, pulling wool through fabric to build a world of raised textures and heavy shadows. The composition centers on a medallion, a circular anchor for the eye, from which a frantic, beautiful geometry radiates outward. It is a dense thicket of shapes where birds and mythical creatures emerge from the dark dye, their forms defined by the thickness of the thread rather than the stroke of a brush. The surface is not flat; it is a landscape of tactile ridges and valleys that catch the light in uneven, honest ways.

The Language of the Stitch

The work operates through a vocabulary of symbols, each one a knot of color against the deep blue base. The imagery draws from the well of folk traditions, where every creature carries a weight of meaning beyond its physical shape. Within this embroidered field, one finds:

  • Birds that suggest the movement of spirits or the lightness of breath.
  • Suns and stars that map out a celestial, patterned heaven.
  • Floral motifs that bloom in permanent, woolen stillness.
  • Geometric borders that contain the chaos of the central figures.

These elements do not compete for space; they occupy it with a crowded, rhythmic abundance. The technique relies on the varied weight of the wool, creating a relief that invites the touch. It is a slow art, built one loop at a time, capturing a sense of storytelling through the physical presence of the material.

The Weight of the Past

Created in 1890, this piece carries the quiet gravity of a bygone era. It avoids the illusion of depth, choosing instead to embrace the flatness of the textile. There is no attempt to mimic the three-dimensional world; there is only the truth of the thread and the pattern. The work feels like a fragment of a larger, forgotten story, a piece of cultural fabric that has survived the passage of time through its sheer density of detail. It is a quiet, heavy thing. The blue remains deep.


Über dieses Kunstwerk

  • Titel: Tapestry
  • Künstler: Stuart Daniel Baker
  • Jahr: 1890
  • Originalmaße: 156.0 x 150.0 cm
  • Format: Square
  • Urheberrechtlicher Status: Urheberrechtlich geschützt
  • Ausstellung/Standort: Museo Casa de los Tiros de Granada
  • Medium: Embroidery
  • Medium: Textile
  • Kontext des Werks: textile experimentation, narrative richness

Eckdaten

  • Dimensions: 156 x 150 cm
  • Subject or theme: Mythical creatures, animals, and flora
  • Year: 1890
  • Medium: Embroidered wool thread on blue textile

Fragen und Antworten

Für welchen Ort und welchen Zweck wird "Tapestry" empfohlen?

Empfohlene Verwendung (Cultural) und Raum (Living Room) sind die zwei Empfehlungen für "Tapestry" von Stuart Daniel Baker.

Wie ist die Farbkomposition von "Tapestry" von Stuart Daniel Baker aufgebaut?

Die Farbanalyse von "Tapestry" von Stuart Daniel Baker offenbart einen Gentle Kontrast und eine Discordant Palette Harmonie.

In welcher Ausrichtung liegt "Tapestry" von Stuart Daniel Baker vor?

"Tapestry" von Stuart Daniel Baker hat ein Square-Format. Das Format beschreibt die Proportionen der Komposition.

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