Madonna of HumilityBattista di Biagio Sanguigni · 1420

  • Creation date1420
  • Dimensions116.0 x 54.0 cm
  • MuseumAckland Art Museum

Battista di Biagio Sanguigni (1393 – 1451)

Explore the captivating works of Battista di Biagio Sanguigni – a 15th-century Florentine painter known for his gothic style & Masaccio influence. Discover his art!

Ackland Art Museum (Chapel Hill, United States of America)

Located on UNC campus near Franklin Street, the building provides accessible space within a vibrant university environment.

The Madonna of Humility is a stunning painting created by the Italian artist Battista Di Biagio Sanguigni in 1420. This beautiful work of art is housed at the Ackland Art Museum in Chapel Hill, United States, and is a prime example of the artist's skill in capturing the essence of the Virgin Mary.

The Painting's Significance

The Madonna of Humility is a representation of the Virgin Mary as a humble figure, sitting on the ground with the infant Jesus on her lap. This depiction of the Madonna became popular in the late 1300s and early 1400s in Italy, Flanders, and Germany. The painting's natural setting and sweetness of the facial types are characteristics of the early Renaissance period in Italian painting. Key Features of the painting include:
  • The use of tempera on a panel, which was a common medium for religious art during this period.
  • The intricate details of the Virgin's robe and the infant Jesus' clothing.
  • The gentle expression on the Virgin's face, which conveys a sense of humility and devotion.

Artist's Style and Influences

Battista Di Biagio Sanguigni's style is characterized by his use of gold leaf and elegant finery in his paintings. He was influenced by the painters Lorenzo Monaco and Gentile da Fabriano, and worked as a manuscript illuminator and painter in Florence. His works can be found in various museums, including the Ackland Art Museum and the Cleveland Museum of Art. For more information on Battista Di Biagio Sanguigni and his works, visit /art/list/?Filter=8Y3H5N-Battista-Di-Biagio-Sanguigni-Madonna-of-Humility and https://en.wikipedia.org/wiki/Battista_di_Biagio_Sanguigni.
The Madonna of Humility is a beautiful example of the artist's skill and devotion to his craft. As a handmade oil painting reproduction, it can be found on https://Mus3ums.com, where you can discover more about this stunning work of art and other masterpieces from the Renaissance period.

About this artwork

  • Title: Madonna of Humility
  • Artist: Battista di Biagio Sanguigni
  • Year: 1420
  • Original dimensions: 116.0 x 54.0 cm
  • Format: Tall
  • Copyright status: Public domain
  • Where to see it: Ackland Art Museum
  • Main color: Black
  • Color intensity: Balanced
  • Perceived brightness: deep_shadow

Questions & Answers

What kind of colors does "Madonna of Humility" use?

The palette of "Madonna of Humility" by Battista di Biagio Sanguigni is described as earthy. It is a compact description of the work's colors.

Who created "Madonna of Humility"?

The artist behind "Madonna of Humility" is Battista di Biagio Sanguigni. The work is catalogued under Battista di Biagio Sanguigni's name.

Did "Madonna of Humility" stay in its artist's homeland?

No - the artwork is kept abroad. The artist's birth country is Italy, and the museum holding the original is in United States of America.

Is "Madonna of Humility" by Battista di Biagio Sanguigni a light or a dark artwork?

"Madonna of Humility" is deep_shadow overall, and its luminance is soft shadow.

Can the image of "Madonna of Humility" by Battista di Biagio Sanguigni be freely reproduced?

"Madonna of Humility" by Battista di Biagio Sanguigni is in the public domain - its copyright has expired. This status governs how the image of the work may be reproduced.

What was Battista di Biagio Sanguigni's age when "Madonna of Humility" was created?

Battista di Biagio Sanguigni made "Madonna of Humility" at the age of 27. The artist was born in 1393 and the work is dated 1420.

When was "Madonna of Humility" made?

"Madonna of Humility" dates from 1420. The date places the work within Battista di Biagio Sanguigni's career and its era.

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