Still Life with ApplesBernard Meninsky · 1927

  • Art movementPost-Impressionism
  • Creation date1927
  • Dimensions31.0 x 41.0 cm
  • MuseumNottingham Castle Museum And Art Gallery
The painting Still Life with Apples by Bernard Meninsky is a stunning example of oil on canvas artwork, created in 1927. Measuring 31 x 41 cm, this beautiful piece is currently housed at the Nottingham Castle Museum And Art Gallery in Nottingham, United Kingdom. As seen on Mus3ums.com, this painting features a bowl filled with various fruits, including apples and peaches, placed on a table next to a cup and two wine glasses.

Artist Background

Bernard Meninsky was a talented artist known for his still life paintings. His work Still Life with Apples showcases his skill in capturing the essence of everyday objects and transforming them into beautiful works of art. This painting is reminiscent of other notable still life artworks, such as those by Henri Matisse, whose Nu couché de dos Huile sur Toile Collection Particulière is a masterpiece of Fauvism.

Key Features

Some key features of Still Life with Apples include:
  • The use of bold colors and soft lighting to create a warm atmosphere
  • The arrangement of fruits and objects in a harmonious composition
  • The emphasis on texture and detail, particularly in the depiction of the apples and peaches
As seen in other artworks on Mus3ums.com, such as Max Ernst's Landscape with Wheatgerm, the use of bold colors and textures is a hallmark of many notable artists. Still Life with Apples is a beautiful example of Bernard Meninsky's skill as an artist. With its stunning composition and attention to detail, this painting is a must-see for anyone interested in still life art. As part of the collection at the Nottingham Castle Museum And Art Gallery, it is a testament to the enduring power of art to captivate and inspire us.
For more information on Bernard Meninsky and his artworks, visit Mus3ums.com or check out the Nottingham Castle Museum And Art Gallery website.

Bernard Meninsky (1891 – 1950)

Bernard Meninsky (1891-1950) was a British painter known for evocative figures, landscapes & poignant 'Mother and Child' scenes. A Slade School artist & official war artist, his work reflects Post-Impressionist influences & the impact of WWI.

Nottingham Castle Museum And Art Gallery (Nottingham, United Kingdom)

Explore Nottingham Castle: journey through history, art & the legend of Robin Hood! Discover Ducal Palace treasures, Netherlandish masterpieces, and Nottingham's lace heritage. Plan your visit today!

About this artwork

  • Title: Still Life with Apples
  • Artist: Bernard Meninsky
  • Year: 1927
  • Original dimensions: 31.0 x 41.0 cm
  • Format: Landscape
  • Copyright status: Public domain
  • Where to see it: Nottingham Castle Museum And Art Gallery
  • Movement: Post-Impressionism
  • Creative period: Mature Period
  • Main color: Espresso

Questions & Answers

Which artist and which style stand behind "Still Life with Apples"?

Behind "Still Life with Apples" stand Bernard Meninsky and the Post-Impressionism movement.

What color saturation does "Still Life with Apples" by Bernard Meninsky have?

The colors of "Still Life with Apples" by Bernard Meninsky have a subtle color saturation. Saturation describes how vivid or muted the colors are.

How does "Still Life with Apples" balance light and dark?

"Still Life with Apples" by Bernard Meninsky is recorded as balanced, with a soft shadow luminance.

How does the subject of "Still Life with Apples" relate to Bernard Meninsky's usual themes?

"Still Life with Apples" depicts still life, fruit, apples, peaches, bowl, composition, texture, warm colors, while Bernard Meninsky's recorded themes are post-impressionist echoes, everyday beauty, simple forms, wwi's subtle reflection", domestic tranquility, british artistic tradition, still life mastery", part of a quiet series". Comparing the two shows how the work relates to the artist's usual subjects.

In what year was "Still Life with Apples" by Bernard Meninsky created?

"Still Life with Apples" dates from 1927. The date places the work within Bernard Meninsky's career and its era.

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