Gerry Humphrys (caveman)David Dixon Porter · 1972

Contemporary Realism
1972
Penrith Regional Gallery - Home of the Lewers Bequest

David Dixon Porter (1813 – 1891)

Discover David Dixon Porter (1813-1891), a distinguished U.S. Navy Admiral & artist! Explore his captivating artworks – concert photography, band portraits, and event scenes. A unique blend of naval history & artistic expression.

Penrith Regional Gallery - Home of the Lewers Bequest (Emu Plains, Australia)

Home to the extraordinary Lewers Bequest in Emu Plains, Penrith Regional Gallery offers an immersive journey through Australian modernism amidst beautiful heritage gardens and invites you to explore its vibrant art scene.

In the early 1970s David Porter was a contributing photographer for some of the most influential Australian Rock music and underground publications (Go-Set, Daily/Planet, Rolling Stone (Australian Edition), The Digger. Porter was based in Melbourne, his subject the zeitgeist of its Rock/Pop music, underground theatre, and Counterculture scenes, sometimes working as ‘David Porter’, sometimes ‘Jacques L’Affrique’, sometimes ‘Jack Africa’. In 1973 he left Melbourne, stopped working in commercial photography, and pursued a teaching career.GERRY HUMPHRYS (b. 1943. d.2005) Rock vocalist. Charismatic performer. Work with The Loved Ones considered a cornerstone of Australian rock music. Legend of Australian rock. Resettled in the UK (1977). Died in London (2005). The Loved Ones (1965-67). Humphrys (vocals, harmonica), Gavin Anderson (drums), Ian Clyde (organ, piano), Rob Lovett (guitar), Kim Lynch (bass). The 1966 single ‘The Loved One’ reached number 2 on the charts. The band split in 1967. Inducted into the ARIA Hall of Fame (2010). Gerry & The Joy Band (1971-72). Humphrys (vocals), Billy Green (guitar), Ross Wilson (guitar, vocals), Ross Hannaford (guitar), Brian Peacock (bass), Warren Morgan (piano/vocals), Gary Young (drums). Released two singles, ‘Rave On’ (1971), ‘Ongo Bongo’ (1972).

About this artwork

Title: Gerry Humphrys (caveman)
Artist: David Dixon Porter
Year: 1972
Format: Portrait
Copyright status: Public domain
Where to see it: Penrith Regional Gallery - Home of the Lewers Bequest
Movement: Contemporary Realism
Creative period: Late Period
Color palette: Neutrals
Keywords: 1970s photography, black and white portrait, portrait painting style

Questions & Answers

What style does "Gerry Humphrys (caveman)" belong to?

"Gerry Humphrys (caveman)" by David Dixon Porter belongs to the Contemporary Realism movement. This movement provides the stylistic context of the work.

Who created "Gerry Humphrys (caveman)"?

The artist behind "Gerry Humphrys (caveman)" is David Dixon Porter. The work is catalogued under David Dixon Porter's name.

How strong are the colors of "Gerry Humphrys (caveman)"?

The colors of "Gerry Humphrys (caveman)" by David Dixon Porter show a muted saturation with a monochromatic intensity.

In what year was "Gerry Humphrys (caveman)" by David Dixon Porter created?

"Gerry Humphrys (caveman)" by David Dixon Porter was created in 1972.

Where does "Gerry Humphrys (caveman)" fall in David Dixon Porter's career?

Within David Dixon Porter's career, "Gerry Humphrys (caveman)" falls in the Late Period. The phase helps compare it with the artist's other works.

Who created "Gerry Humphrys (caveman)" and in what year?

David Dixon Porter made "Gerry Humphrys (caveman)" in 1972.

How does the subject of "Gerry Humphrys (caveman)" relate to David Dixon Porter's usual themes?

"Gerry Humphrys (caveman)" depicts rock music, australian art, portrait photography, 1970s culture, gerry humphrys, counterculture, band portrait, black and white, while David Dixon Porter's recorded themes are documentary photography, rock & roll era, underground scene, counterculture, australian identity, music rebellion, early rock portraiture, documentation of subcultures. Comparing the two shows how the work relates to the artist's usual subjects.