Ian Wallace (God with Sax)David Dixon Porter · 1971

  • Art movementOther
  • Creation date1971
  • MuseumPenrith Regional Gallery - Home of the Lewers Bequest

David Dixon Porter (1813 – 1891)

Discover David Dixon Porter (1813-1891), a distinguished U.S. Navy Admiral & artist! Explore his captivating artworks – concert photography, band portraits, and event scenes. A unique blend of naval history & artistic expression.

Penrith Regional Gallery - Home of the Lewers Bequest (Emu Plains, Australia)

Home to the extraordinary Lewers Bequest in Emu Plains, Penrith Regional Gallery offers an immersive journey through Australian modernism amidst beautiful heritage gardens and invites you to explore its vibrant art scene.

In the early 1970s David Porter was a contributing photographer for some of the most influential Australian Rock music and underground publications (Go-Set, Daily/Planet, Rolling Stone (Australian Edition), The Digger. Porter was based in Melbourne, his subject the zeitgeist of its Rock/Pop music, underground theatre, and Counterculture scenes, sometimes working as ‘David Porter’, sometimes ‘Jacques L’Affrique’, sometimes ‘Jack Africa’. In 1973 he left Melbourne, stopped working in commercial photography, and pursued a teaching career.Ian Wallace: Saxophonist who worked with Sons of the Vegetal Mother, Lipp Arthur & The Double Decker Brothers, and Ross WilsonThis photograph was taken at T.F. MUCH/MUCH MORE BALLROOM (1970-72)Cathedral Hall (aka Central Hall) Brunswick St, FitzroySeries of ‘Counterculture’ performance events staged at Cathedral Hall (owned by the Catholic Church). Created by John Pinder, Peter Andrew, Warren Knight, Bani McSpeeden, Hugh McSpedden. Music, art, light shows, circus, and vaudeville inspired by the psychedelic San Francisco ballrooms of the late 1960s. Built 1903 Cathedral Hall had generous floor space, large proscenium style stage, heavy draw curtains, large domed windows, ornate ceiling and chandeliers, dress circle on three sides facing the stage. Held up to 1,500 patrons (sitting on the floor and in the balcony, standing or dancing).The first T.F. Much Ballroom took place in August 1970 featuring Spectrum, Jeff Crozier’s Indian Medicine Magik Show, Lipp Arthur, Adderley Smith Blues Band, Sons of the Vegetal Mother, Gerry Humphreys & the Joy Band, Captain Matchbox Whoopee Band, Margret RoadKnight, Flash Light Show, Tribe Theatre. A flea market also sold macrobiotic food, hippie clothing. Subsequent events were usually held monthly and featured concert-style performances presenting multiple musical acts interspersed with comedy, poetry, theatrical, dance and novelty performances. The epicentre of the early 1970s ‘Carlton scene’, the T.F. Much/Much More Ballroom was a ‘head venue’. Capturing Melbourne’s alternative theatre, music, and experimental art scenes and counterculture, it was the antithesis of Melbourne’s pub and suburban rock music circuits.After a name change (necessitated when officials twigged that T.F. Much meant ‘Too Fucking’ Much) the ‘Much More Ballroom’ began in November 1971. The last event was held in December 1972 with Spectrum, Indelible Murtceps, Captain Matchbox Whoopee Band, Miss Universe, Gary Young and Hot Dog.

About this artwork

  • Title: Ian Wallace (God with Sax)
  • Artist: David Dixon Porter
  • Year: 1971
  • Format: Portrait
  • Copyright status: Public domain
  • Where to see it: Penrith Regional Gallery - Home of the Lewers Bequest
  • Corpus context: psychedelic experimentation, melbourne underground scene
  • Main color: Phthalo Green
  • Keywords: 1970s music scene, vintage concert photo, surrealist portrait
  • Color intensity: Monochromatic

Questions & Answers

Does "Ian Wallace (God with Sax)" show strong light-dark contrasts?

The light-dark contrast of "Ian Wallace (God with Sax)" is recorded as statement. Contrast describes how strongly light and dark areas differ.

Who is the artist behind "Ian Wallace (God with Sax)"?

"Ian Wallace (God with Sax)" was created by David Dixon Porter. The information on this page describes David Dixon Porter's original work.

Does the copyright of "Ian Wallace (God with Sax)" by David Dixon Porter allow reproductions?

The original "Ian Wallace (God with Sax)" is at the Penrith Regional Gallery - Home of the Lewers Bequest, and the work is in the public domain - its copyright has expired.

What are the author and date of "Ian Wallace (God with Sax)"?

David Dixon Porter made "Ian Wallace (God with Sax)" in 1971.

What stage of David Dixon Porter's career does "Ian Wallace (God with Sax)" (1971) belong to?

The 1971 date places "Ian Wallace (God with Sax)" in the Early Period of David Dixon Porter's development.

What subjects appear in "Ian Wallace (God with Sax)" by David Dixon Porter?

The themes present in "Ian Wallace (God with Sax)" by David Dixon Porter include counterculture, performance art, melbourne, 1970s, music scene, clown, psychedelic, portrait. Together they summarize the artwork's subject matter.

When was "Ian Wallace (God with Sax)" made?

"Ian Wallace (God with Sax)" dates from 1971. The date places the work within David Dixon Porter's career and its era.

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