Assumption of the Virgin

  • Painting mediumOil On Canvas
  • Medium typeWallArt
  • Art movementLate Gothic
  • Creation date1365
  • Art periodLate Medieval
  • Dimensions41.0 x 27.0 cm
  • MuseumPinacoteca

don silvestro dei gherarducci (1339 – 1399)

Don Silvestro dei Gherarducci (1339-1399) was a Florentine artist renowned for his illuminated manuscripts & paintings, notably Madonna & Child. Explore his exquisite Graduals & artwork from the era.

Pinacoteca (Vatican City, Italy)

Explore the Vatican Pinacoteca! Discover Renaissance & Baroque masterpieces by Raphael, Caravaggio & more within the historic halls of Vatican City.

A Celestial Ascent: The Assumption of the Virgin

To gaze upon this depiction of the Assumption of the Virgin is to be transported across the veil of time, into a realm where earthly devotion meets divine glory. This sacred scene captures the moment Mary’s body, having completed her earthly pilgrimage, is borne aloft by heavenly hosts toward eternal bliss. The composition itself pulses with an otherworldly energy; central to the narrative is Mary, surrounded by a constellation of angels whose presence speaks to the magnitude of this miraculous event. The rich palette—dominated by deep reds, luminous whites, and warm browns—bathes the scene in a glow that feels both ancient and eternally vibrant.

Mastery in Manuscript Tradition

The hand that created this work belongs to Don Silvestro dei Gherarducci, a Florentine master whose genius found its most exquisite expression not on grand altarpieces, but within the sacred confines of illuminated manuscripts. While his primary fame rests upon his breathtaking "Graduals," this painting carries the unmistakable resonance of that meticulous, devotional craftsmanship. The technique employed speaks to an era where artistry was inseparable from theology; every fold of drapery and every gesture of the attendant angels is imbued with symbolic weight. It is a testament to the profound skill required to translate complex doctrine into tangible, breathtaking beauty.

Symbolism Woven in Gold and Crimson

The background itself, rendered in shimmering gold, immediately signals the divine—a space outside of mundane time and place. The red accents are not mere decoration; they evoke passion, royalty, and the bloodline of Christ, anchoring Mary’s elevated status within Christian iconography. The multitude of figures surrounding her serve to build a visual chorus of praise, guiding the viewer's eye upward along the trajectory toward heaven. This artwork is thus more than a portrait of an event; it is a carefully constructed theological map, inviting contemplation on salvation and transcendence.

A Timeless Presence for Modern Devotion

Dating to 1365, this piece offers a tangible connection to the intellectual fervor of late medieval Florence—a period poised between the deep spirituality of the Middle Ages and the burgeoning humanism of the Renaissance. For the collector or designer seeking an object that speaks volumes without uttering a word, this reproduction captures that perfect balance. It brings the solemn grandeur of monastic artistry into contemporary living spaces, serving not just as decoration, but as a focal point for quiet reflection. Owning this piece is to curate a corner steeped in history, faith, and unparalleled artistic refinement.


About this artwork

  • Title: Assumption of the Virgin
  • Artist: don silvestro dei gherarducci
  • Year: 1365
  • Original dimensions: 41.0 x 27.0 cm
  • Format: Portrait
  • Copyright status: Public domain
  • Where to see it: Pinacoteca
  • Medium type: WallArt
  • Creative period: Early Period
  • Corpus context: christian devotion central theme, florentine religious patronage context

Quick Facts

  • Title: Assumption of the Virgin
  • Subject or theme: Assumption of the Virgin Mary
  • Dimensions: 41 x 27 cm
  • Medium: Painting (Likely tempera/pigment)
  • Year: 1365
  • Artist: don silvestro dei gherarducci

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