Poder del colmillo ancestral (Power of the Ancestral Fang)Eduardo Mac Entyre · 2000

  • Painting mediumDigital Painting
  • Medium typeDigital
  • Art movementGeometric Abstraction
  • Creation date2000
  • Art periodModern
  • MuseumInter-American Development Bank

Eduardo Mac Entyre (1929 – 2014)

Eduardo Mac Entyre (1929-2014) was an Argentine artist known for his geometric paintings & contributions to generative art. Influenced by Dürer, Holbein, Rembrandt, and Cubism, his work is celebrated in Latin American modern art.

Inter-American Development Bank (Washington, D.C., United States of America)

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The Pulse of Geometric Abstraction

In the evocative piece Poder del colmillo ancestral (Power of the Ancestral Fang), the viewer is transported into a realm where geometry meets myth. Created in the year 2000 by the Argentine master Eduardo Mac Entyre, this work serves as a profound meditation on form and movement. The composition centers around a striking, stylized depiction of what appears to be a ceremonial headpiece or mask, rendered through a lens of sharp, deliberate abstraction. A large, curved orange shape dominates the visual field, acting as a focal point that suggests a watchful eye or a protective totem. Set against a deep, nocturnal blue field, the contrast between the warm, fiery tones and the cool, infinite void creates an immediate and magnetic tension, drawing the observer into its symbolic depths.

The technique employed in this work reflects a sophisticated mastery of digital precision, where clean lines and flat planes of color replace the traditional texture of brushstrokes. This lack of visible impasto or depth emphasizes a two-dimensional, graphic power that is both modern and timeless. The vertical black stripe that bisects the canvas diagonally introduces a structural rhythm, breaking the symmetry and injecting a sense of dynamic energy into the stillness. Through this digital medium, Mac Entyre achieves a clarity of form that allows the symbolic elements—the red outlines and the secondary orange shapes—to resonate with an almost archetypal intensity, making it a perfect centerpiece for those who appreciate the intersection of contemporary technology and ancient aesthetic motifs.

A Legacy of Generative Innovation

To understand the soul of this artwork, one must look back to the revolutionary movements of mid-century Buenos Aires. Eduardo Mac Entyre was a pivotal figure in the arte generativo movement, a group of artists and theorists who sought to redefine the boundaries of perception through geometric abstraction. Following his early explorations influenced by the masters of the Renaissance and the structural complexities of Cubism, Mac Entistry helped establish an autonomous aesthetic that focused on the automatic regeneration of form. This piece, though created much later in his career, carries the DNA of those foundational principles—the idea that shapes are not static but possess an inherent capacity for movement and spiritual evolution.

The symbolism within Poder del colmillo ancestral invites a multitude of interpretations, ranging from the protection offered by a tribal mask to the piercing vision of an ancestral spirit. For the collector or interior designer, this painting offers more than mere decoration; it provides a conversational anchor that evokes mystery and ancient wisdom. The deliberate use of color—the warmth of the orange against the solemnity of the blue—creates an emotional landscape that can evoke feelings of both security and profound introspection. It is a work that commands presence in any sophisticated space, offering a window into a world where the mathematical precision of geometry meets the untamed power of the ancestral imagination.


About this artwork

  • Title: Poder del colmillo ancestral (Power of the Ancestral Fang)
  • Artist: Eduardo Mac Entyre
  • Year: 2000
  • Format: Portrait
  • Copyright status: Under copyright
  • Where to see it: Inter-American Development Bank
  • Movement: Geometric Abstraction
  • Medium: Digital Painting
  • Period: Modern
  • Medium type: Digital

Quick Facts

  • Year: 2000
  • Influences:
    • Albrecht Dürer
    • Hans Holbein
    • Rembrandt
  • Title: Power of the Ancestral Fang
  • Notable elements or techniques: Geometric abstraction, automatic regeneration
  • Subject or theme: Symbolic headpiece, protection, vision
  • Movement: Generative art, Geometric abstraction

Questions & Answers

What mood would "Poder del colmillo ancestral (Power of the Ancestral Fang)" bring to a space?

With its mystical mood, "Poder del colmillo ancestral (Power of the Ancestral Fang)" is suggested for a coworking.

What color leads the composition of "Poder del colmillo ancestral (Power of the Ancestral Fang)" by Eduardo Mac Entyre?

The color that stands out most in "Poder del colmillo ancestral (Power of the Ancestral Fang)" is black (#0d0e1b). The dominant color is useful when matching an artwork to an interior.

Where does "Poder del colmillo ancestral (Power of the Ancestral Fang)" fall in Eduardo Mac Entyre's career?

"Poder del colmillo ancestral (Power of the Ancestral Fang)" belongs to the Late Modern of Eduardo Mac Entyre's career. This classification relates the work to the artist's development.

When was "Poder del colmillo ancestral (Power of the Ancestral Fang)" made?

"Poder del colmillo ancestral (Power of the Ancestral Fang)" by Eduardo Mac Entyre was created in 2000.

At what age did Eduardo Mac Entyre make "Poder del colmillo ancestral (Power of the Ancestral Fang)"?

Eduardo Mac Entyre was 71 years old when creating "Poder del colmillo ancestral (Power of the Ancestral Fang)" in 2000. The age is computed from the artist's birth year, 1929.

How strong are the colors of "Poder del colmillo ancestral (Power of the Ancestral Fang)"?

The color of "Poder del colmillo ancestral (Power of the Ancestral Fang)" is subtle color in saturation and balanced in intensity.

Which artist is "Poder del colmillo ancestral (Power of the Ancestral Fang)" attributed to?

"Poder del colmillo ancestral (Power of the Ancestral Fang)" is attributed to Eduardo Mac Entyre.

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