David's Charge to SolomonEdward Coley Burne-Jones · 1882
Stained Glass
Decor
Pre-Raphaelite Brotherhood
1882
19th Century
A Tapestry of Devotion: David's Charge to Solomon
To gaze upon this stained glass rendition of David's Charge to Solomon is to step through a portal into a moment suspended between divine inspiration and earthly fellowship. The scene unfolds with an almost palpable warmth, capturing a gathering of figures around a richly laden table. It is not merely a depiction of a meal; it is a tableau vivant of wisdom being imparted, a confluence of spiritual guidance meeting human connection. The sheer number of individuals—at least fourteen souls gathered in close proximity—suggests a community deeply engaged, their postures and gestures speaking volumes about the weight of the words exchanged between David and Solomon.
The Luminous Craftsmanship of Stained Glass
The medium itself lends an ethereal quality to the narrative. Stained glass, by its very nature, filters the mundane light into something sacred and jewel-toned. Here, the artist has masterfully translated the drama of the biblical moment into panes of colored artistry. The vibrant interplay of blues, reds, and golds creates a luminosity that seems to emanate from within the glass itself, giving the entire composition an almost otherworldly glow. This technique demands incredible precision; each piece of colored glass must fit with perfect harmony to allow the narrative light to pass through, transforming mere pigment into palpable color.
Echoes of Victorian Romanticism and Pre-Raphaelite Spirit
Created in 1882, this work sits beautifully within the rich currents of late Victorian art, deeply influenced by the aesthetic ideals championed by figures like Edward Coley Burne-Jones. The period saw a profound yearning for medieval romance and an escape from industrial grime into idealized narratives. This piece embodies that longing. While the subject matter is drawn from scripture, the execution carries the decorative weight and symbolic richness characteristic of the Pre-Raphaelite fascination with myth, allegory, and heightened emotional states. It speaks to a time when art was viewed not just as decoration, but as a vehicle for moral and aesthetic elevation.
Symbolism at the Feast
The elements surrounding the central interaction are imbued with symbolic weight. The table itself, laden with bowls and cups of food, represents more than sustenance; it symbolizes abundance, shared bounty, and the fruits of wisdom—the very knowledge David imparts to Solomon. The gathering suggests that true understanding is not found in isolation but through communal discourse. Every richly colored garment and every focused gaze contributes to a sense of profound continuity, linking ancient divine counsel with the enduring human need for guidance.
Bringing Sacred Light Home
For the collector or designer, this reproduction offers an unparalleled opportunity to integrate monumental narrative art into a domestic space. Imagine the effect of such luminous color washing over a hall or library. It is a piece that commands attention while simultaneously inviting contemplation. Owning this work means curating not just a decoration, but a focal point steeped in history, artistry, and enduring spiritual resonance—a permanent whisper of David’s charge echoing through your walls.
Edward Coley Burne-Jones (1833 – 1898)
Discover the enchanting Pre-Raphaelite art of Edward Burne-Jones (1833-1898). Explore his mythical paintings, stained glass & Aesthetic Movement designs.
About this artwork
- Title: David's Charge to Solomon
- Artist: Edward Coley Burne-Jones
- Year: 1882
- Format: Square
- Copyright status: Public domain
- Medium: Stained Glass
- Period: 19th Century
- Corpus context: burne-jones's medievalism in genre, pre-raphaelite influence on narrative art
- Color palette: Dark
- Keywords: preraphaelite window, burne-jones decor, art reproduction print
Quick Facts
- Year: 1882
- Subject or theme: Biblical gathering/Feast
- Movement: Pre-Raphaelite
- Title: David's Charge to Solomon
- Artistic style: Victorian Aesthetic
Questions & Answers
What are the medium and date of "David's Charge to Solomon" by Edward Coley Burne-Jones?
The medium of "David's Charge to Solomon" by Edward Coley Burne-Jones is stained glass, and the work is dated 1882.
In what year was "David's Charge to Solomon" by Edward Coley Burne-Jones created?
"David's Charge to Solomon" dates from 1882. The date places the work within Edward Coley Burne-Jones's career and its era.
What color leads the composition of "David's Charge to Solomon" by Edward Coley Burne-Jones?
driftwood (#b38d66) is the leading color of "David's Charge to Solomon" by Edward Coley Burne-Jones.
What was Edward Coley Burne-Jones's age when "David's Charge to Solomon" was created?
When "David's Charge to Solomon" was created in 1882, Edward Coley Burne-Jones - born in 1833 - was 49 years old.
What are the author and date of "David's Charge to Solomon"?
"David's Charge to Solomon" was created by Edward Coley Burne-Jones in 1882.
What is "David's Charge to Solomon" about, and what atmosphere does it have?
"David's Charge to Solomon" shows stained glass, biblical scene, feast, gathering, david, solomon, victorian art, and its recorded mood is elegant.
Which artist is "David's Charge to Solomon" attributed to?
"David's Charge to Solomon" is attributed to Edward Coley Burne-Jones.