Portrait of Ippolito della RovereFederico Fiori Barocci · 1602

  • Painting mediumOil On Canvas
  • Medium typeWallArt
  • Art movementBaroque
  • Creation date1602
  • Art periodEarly Modern
  • Dimensions118.0 x 95.0 cm
  • MuseumItalian Embassy

Federico Fiori Barocci (1535 – 1612)

Federico Barocci (1535-1612): Bridging Renaissance & Baroque! Explore his emotive religious scenes, tender Madonnas & pioneering pastel studies. Influenced Rubens.

Italian Embassy (London, United Kingdom)

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A Glimpse into Renaissance Authority: The Portrait of Ippolito della Rovere

To stand before this portrait is to step directly into the rarefied atmosphere of early seventeenth-century Italian aristocracy. Federico Fiori Barocci’s depiction of Ippolito della Rovere is far more than a mere likeness; it is a carefully constructed monument to status, intellect, and enduring power. The sitter commands attention with an almost palpable gravity. Dressed in the somber elegance of black garments, accented by the gleam of a gold chain, he embodies the restrained opulence characteristic of the period’s most influential circles. His wig and ruffled collar speak volumes about the rigid codes of dress that defined gentlemanly life during this era, suggesting a man whose word carried significant weight in the courts of Rome.

Mastery of Form and Shadow: Technique and Composition

Barocci, known for his evocative handling of figures, showcases remarkable technical skill here. The painting possesses a deep sense of dimensionality; notice how the light seems to fall selectively across the sitter’s face, emphasizing a stern yet thoughtful expression. This masterful use of chiaroscuro—the dramatic interplay between light and shadow—gives the portrait an immediate, three-dimensional presence that transcends the flat plane of the canvas. The background elements are thoughtfully arranged, contributing to the narrative without distracting from the central figure. The visible chairs suggest a setting of contemplation or deliberation, while the book near the center acts as a subtle but potent symbol of scholarship and accumulated knowledge.

The Weight of History: Context and Symbolism

Painted in 1602, this work emerges from a time when artistic portraiture was deeply intertwined with patronage and political maneuvering. Barocci, himself an artist whose style foreshadowed the grand sweep of the Baroque, captured the sitter not just as he appeared, but as society expected him to be perceived: authoritative, learned, and immaculately composed. The formality of the composition—the direct gaze, the structured setting—invites us to consider the man’s inner life beneath the layers of fine fabric and societal expectation. It is a visual dialogue between personal character and public persona.

Bringing Renaissance Grandeur Home

For the discerning collector or designer seeking an anchor piece for a grand hall, library, or formal study, this reproduction offers unparalleled historical resonance. Owning a piece echoing Barocci’s touch allows one to curate an environment steeped in Old World sophistication. The rich tonality and the palpable sense of history imbue any space with immediate gravitas. It is an artwork that does not merely decorate; it elevates the very atmosphere, whispering tales of Renaissance power and enduring artistic genius into your modern sanctuary.


About this artwork

  • Title: Portrait of Ippolito della Rovere
  • Artist: Federico Fiori Barocci
  • Year: 1602
  • Original dimensions: 118.0 x 95.0 cm
  • Format: Portrait
  • Copyright status: Public domain
  • Where to see it: Italian Embassy
  • Movement: Baroque
  • Main color: Driftwood
  • Purpose: Focal

Quick Facts

  • Notable elements or techniques:
    • Wig
    • Ruffled collar
    • Cape
  • Title: Portrait of Ippolito della Rovere
  • Artist: Federico Fiori Barocci
  • Artistic style: Renaissance/Baroque
  • Subject or theme: Portrait of a man
  • Medium: Painting

Questions & Answers

Who is the artist behind "Portrait of Ippolito della Rovere"?

The artist behind "Portrait of Ippolito della Rovere" is Federico Fiori Barocci. The work is catalogued under Federico Fiori Barocci's name.

What is the creation date of "Portrait of Ippolito della Rovere" by Federico Fiori Barocci?

"Portrait of Ippolito della Rovere" by Federico Fiori Barocci was created in 1602.

What technique was used for "Portrait of Ippolito della Rovere" by Federico Fiori Barocci?

The medium of "Portrait of Ippolito della Rovere" by Federico Fiori Barocci is oil on canvas. Reproductions aim to render the appearance of this technique.

In what period was "Portrait of Ippolito della Rovere" by Federico Fiori Barocci made?

The historical period of "Portrait of Ippolito della Rovere" by Federico Fiori Barocci is Early-Modern. This classification situates the work in art history.

Is "Portrait of Ippolito della Rovere" by Federico Fiori Barocci in the public domain?

"Portrait of Ippolito della Rovere" by Federico Fiori Barocci is in the public domain - its copyright has expired. This status governs how the image of the work may be reproduced.

What stage of Federico Fiori Barocci's career does "Portrait of Ippolito della Rovere" (1602) belong to?

The 1602 date places "Portrait of Ippolito della Rovere" in the Mature Period of Federico Fiori Barocci's development.

How old was Federico Fiori Barocci when creating "Portrait of Ippolito della Rovere" in 1602?

Federico Fiori Barocci was 67 years old when creating "Portrait of Ippolito della Rovere" in 1602. The age is computed from the artist's birth year, 1535.

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