F. Max. Muller, Professor of Modern European Languages (1854–1868), Professor of Comparative Philology (1868–1900)Georg SauterNone
150.0 x 100.0 cm
Taylor Institution
Georg Sauter (1866 – 1937)
Georg Sauter (1866-1937) was a German-English painter known for evocative portraits, landscapes & Whistler-influenced works. He navigated artistic circles in London & Germany, creating both celebrated and controversial pieces. Explore his life & art!
Taylor Institution (Oxford, United Kingdom)
Discover Oxford’s Taylor Institution Library – home to over 500,000 European language books & rare treasures like Goethe's hair! Explore its rich literary heritage and academic traditions.
About this artwork
- Title: F. Max. Muller, Professor of Modern European Languages (1854–1868), Professor of Comparative Philology (1868–1900)
- Artist: Georg Sauter
- Original dimensions: 150.0 x 100.0 cm
- Format: Portrait
- Copyright status: Public domain
- Where to see it: Taylor Institution
- Color hue: Ochre to Sepia
- Perceived brightness: deep_shadow
Questions & Answers
Where can I see the original "F. Max. Muller, Professor of Modern European Languages (1854–1868), Professor of Comparative Philology (1868–1900)" by Georg Sauter?
You can see the original "F. Max. Muller, Professor of Modern European Languages (1854–1868), Professor of Comparative Philology (1868–1900)" at the Taylor Institution, Oxford, United Kingdom.
What is the perceived brightness of "F. Max. Muller, Professor of Modern European Languages (1854–1868), Professor of Comparative Philology (1868–1900)" by Georg Sauter?
In terms of perceived brightness, "F. Max. Muller, Professor of Modern European Languages (1854–1868), Professor of Comparative Philology (1868–1900)" by Georg Sauter is deep_shadow.
How harmonious are the colors of "F. Max. Muller, Professor of Modern European Languages (1854–1868), Professor of Comparative Philology (1868–1900)" by Georg Sauter?
The colors of "F. Max. Muller, Professor of Modern European Languages (1854–1868), Professor of Comparative Philology (1868–1900)" by Georg Sauter show a strong color unity harmony. Harmony describes how the colors relate to each other.
Who is the artist behind "F. Max. Muller, Professor of Modern European Languages (1854–1868), Professor of Comparative Philology (1868–1900)"?
The artist behind "F. Max. Muller, Professor of Modern European Languages (1854–1868), Professor of Comparative Philology (1868–1900)" is Georg Sauter. The work is catalogued under Georg Sauter's name.
How is the color composition of "F. Max. Muller, Professor of Modern European Languages (1854–1868), Professor of Comparative Philology (1868–1900)" by Georg Sauter built?
In "F. Max. Muller, Professor of Modern European Languages (1854–1868), Professor of Comparative Philology (1868–1900)", a serene contrast is paired with a strong color unity harmony.
What are the dimensions of the original "F. Max. Muller, Professor of Modern European Languages (1854–1868), Professor of Comparative Philology (1868–1900)" by Georg Sauter?
The original "F. Max. Muller, Professor of Modern European Languages (1854–1868), Professor of Comparative Philology (1868–1900)" by Georg Sauter measures 150 x 100 cm.
What is the dominant hue of "F. Max. Muller, Professor of Modern European Languages (1854–1868), Professor of Comparative Philology (1868–1900)" by Georg Sauter?
"F. Max. Muller, Professor of Modern European Languages (1854–1868), Professor of Comparative Philology (1868–1900)" leans toward an ochre to sepia tone.