Garaldine Lee, No. 2George Wesley Bellows · 1916

  • Painting mediumOil On Panel
  • Art movementAshcan School
  • Creation date1916

George Wesley Bellows (1882 – 1925)

Explore George Wesley Bellows (1882-1925), a leading American realist painter of urban life & boxing scenes. Discover his Ashcan School style, bold brushwork & impactful depictions of NYC's grit and dynamism.

Garaldine Lee, No. 2: A Portrait of Contemplation by George Wesley Bellows

  • Title: Garaldine Lee, No. 2
  • Artist: George Wesley Bellows
  • Date: 1916
  • Medium: Oil on panel
  • Location: Butler Institute of American Art

Subject and Composition

“Garaldine Lee, No. 2” presents a captivating portrait of a young woman seated in a chair. The composition is carefully arranged to draw the viewer's attention to her face and upper body, emphasizing her contemplative expression. She wears a simple pink dress complemented by a red scarf draped around her neck, adding subtle color contrast. Bellows masterfully uses light and shadow to define her features and create depth within the scene. The woman’s posture—hands resting gently on her lap—suggests introspection and quiet reflection, inviting viewers to ponder her thoughts and emotions.

Artistic Style and Technique

George Wesley Bellows was a prominent figure in the American realist movement, often associated with the Ashcan School. His style blended realism with elements of impressionism, resulting in dynamic and emotionally resonant portrayals of everyday life. In “Garaldine Lee, No. 2,” Bellows demonstrates his ability to capture subtle nuances of human emotion through his subject’s expression and posture. The use of oil on panel allows for a rich texture and detail, enhancing the painting's overall depth and visual appeal. His brushwork is visible yet controlled, contributing to the artwork's lively character while maintaining a sense of realism.

Historical Context and Symbolism

Created in 1916, “Garaldine Lee, No. 2” reflects a period of significant social and artistic change in America. The Ashcan School aimed to depict the realities of urban life—often overlooked by more traditional art movements—and Bellows’ work aligns with this ethos. While seemingly simple, the portrait may carry symbolic weight. The woman's quiet contemplation could represent a moment of introspection amidst the rapid changes and uncertainties of the era. Her attire, while modest, suggests a certain social standing, hinting at the complexities of class and identity in early 20th-century America.

Emotional Impact and Legacy

“Garaldine Lee, No. 2” evokes a sense of serenity and quiet contemplation. The soft lighting and muted color palette contribute to a calming atmosphere, while the woman’s expression invites viewers to connect with her on an emotional level. Bellows' ability to capture such subtle emotions elevates this portrait beyond a mere likeness; it becomes a window into the inner life of its subject. As a representative work of the Ashcan School and a testament to Bellows’ skill, “Garaldine Lee, No. 2” continues to resonate with audiences today, offering a glimpse into a pivotal moment in American art history.


About this artwork

  • Title: Garaldine Lee, No. 2
  • Artist: George Wesley Bellows
  • Year: 1916
  • Format: Portrait
  • Copyright status: Public domain
  • Movement: Ashcan School
  • Corpus context: serenity., domesticity
  • Purpose: Accent
  • Keywords: portrait, youngstown, 1916
  • Color hue: Warm Sunset Tones

Quick Facts

  • Artist: George Wesley Bellows
  • Subject or theme: Portrait of a woman in repose
  • Title: Garaldine Lee, No. 2
  • Notable elements or techniques: Contemplative expression, strong lighting
  • Influences: Robert Henri
  • Medium: Oil on panel
  • Year: 1916

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