Egidienplatz (formerly Dillinghof) Looking North, with Pellerhaus and the Romanesque Egidienkirche.Graff, Johann Andreas · 1682

Q: What topics does Egidienplatz (formerly Dillinghof) Looking North, with Pellerhaus and the Romanesque Egidienkirche. explore?

nuremberg, cityscape, architecture, 17th century, german art, historical print, urban scene, baroque europe

Q: What is the thematic context of Egidienplatz (formerly Dillinghof) Looking North, with Pellerhaus and the Romanesque Egidienkirche.?

renaissance urbanism, german baroque detail, civic pride & record, religious landmarks", city's historical layers, graff's architectural focus, nuremberg civic portrait", documenting 17th-century life"

Baroque
1682
Nuremberg Municipal Museums

Graff, Johann Andreas (1636 – 1701)

Johann Andreas Graff (1636-1701) was a German painter & engraver known for detailed cityscapes of Nuremberg. His work offers a unique glimpse into 17th-century life, architecture, and influenced later artists. Explore his engravings at Mus3ums!

Nuremberg Municipal Museums (Nuremberg, Germany)

Explore the Nuremberg Municipal Museums to discover Albrecht Dürer's Renaissance legacy and profound historical sites like the Nuremberg Trials memorial, offering an unforgettable journey through Germany's rich cultural soul.

About this artwork

Title: Egidienplatz (formerly Dillinghof) Looking North, with Pellerhaus and the Romanesque Egidienkirche.
Artist: Graff, Johann Andreas
Year: 1682
Format: Landscape
Copyright status: Public domain
Where to see it: Nuremberg Municipal Museums
Color palette: Neutrals
Main color: Rosy Brown
Keywords: egidienkirche artwork, graff engraving style, black and white print
Color hue: Green to Violet Spectrum

Questions & Answers

How intense are the colors in "Egidienplatz (formerly Dillinghof) Looking North, with Pellerhaus and the Romanesque Egidienkirche." by Graff, Johann Andreas?

The color intensity of "Egidienplatz (formerly Dillinghof) Looking North, with Pellerhaus and the Romanesque Egidienkirche." is monochromatic. Intensity describes how strong the colors appear.

Does "Egidienplatz (formerly Dillinghof) Looking North, with Pellerhaus and the Romanesque Egidienkirche." by Graff, Johann Andreas use strong contrasts or soft harmonies?

The color composition of "Egidienplatz (formerly Dillinghof) Looking North, with Pellerhaus and the Romanesque Egidienkirche." by Graff, Johann Andreas combines a gentle contrast with a unified palette harmony.

Who is the artist behind "Egidienplatz (formerly Dillinghof) Looking North, with Pellerhaus and the Romanesque Egidienkirche."?

"Egidienplatz (formerly Dillinghof) Looking North, with Pellerhaus and the Romanesque Egidienkirche." is attributed to Graff, Johann Andreas.

What was Graff, Johann Andreas's age when "Egidienplatz (formerly Dillinghof) Looking North, with Pellerhaus and the Romanesque Egidienkirche." was created?

Graff, Johann Andreas made "Egidienplatz (formerly Dillinghof) Looking North, with Pellerhaus and the Romanesque Egidienkirche." at the age of 46. The artist was born in 1636 and the work is dated 1682.

When was "Egidienplatz (formerly Dillinghof) Looking North, with Pellerhaus and the Romanesque Egidienkirche." made?

"Egidienplatz (formerly Dillinghof) Looking North, with Pellerhaus and the Romanesque Egidienkirche." by Graff, Johann Andreas was created in 1682.

When was "Egidienplatz (formerly Dillinghof) Looking North, with Pellerhaus and the Romanesque Egidienkirche." created, and to which movement does it belong?

"Egidienplatz (formerly Dillinghof) Looking North, with Pellerhaus and the Romanesque Egidienkirche." by Graff, Johann Andreas is dated 1682 and belongs to Baroque.

Did "Egidienplatz (formerly Dillinghof) Looking North, with Pellerhaus and the Romanesque Egidienkirche." stay in its artist's homeland?

Yes - the artwork is kept in the artist's home country. The creator was born in Germany; the original work is in Germany.