The Presentation in the TempleJan Gossart · 1520

  • Art movementMannerism
  • Creation date1520

Jan Gossart (1478 – 1532)

Discover Jan Gossaert (1478-1532), a pioneering Dutch Renaissance painter! Known for Romanism, portraits & mythology, his works blend Italian & Northern styles. Explore his legacy!


About this artwork

  • Title: The Presentation in the Temple
  • Artist: Jan Gossart
  • Year: 1520
  • Format: Tall
  • Copyright status: Public domain
  • Color palette: Earthy
  • Keywords: jan gossart painting, black chalk drawing, foreshortening technique
  • Color hue: Golden Yellow Range
  • Color intensity: Monochromatic
  • Perceived brightness: balanced

Questions & Answers

What color palette is used in "The Presentation in the Temple" by Jan Gossart?

The palette of "The Presentation in the Temple" by Jan Gossart is described as earthy. It is a compact description of the work's colors.

When was "The Presentation in the Temple" made?

The creation of "The Presentation in the Temple" by Jan Gossart is dated 1520.

What is the format of "The Presentation in the Temple"?

"The Presentation in the Temple" by Jan Gossart is a tall composition. The proportions are worth checking before choosing a print size.

Which artist is "The Presentation in the Temple" attributed to?

The artist behind "The Presentation in the Temple" is Jan Gossart. The work is catalogued under Jan Gossart's name.

At what age did Jan Gossart make "The Presentation in the Temple"?

When "The Presentation in the Temple" was created in 1520, Jan Gossart - born in 1478 - was 42 years old.

Is "The Presentation in the Temple" by Jan Gossart in the public domain, and why?

"The Presentation in the Temple" by Jan Gossart is in the public domain - its copyright has expired. Copyright duration runs from the artist's death, which occurred in 1532.

Where in Jan Gossart's career does "The Presentation in the Temple" fall, given its date?

"The Presentation in the Temple", created in 1520, belongs to the Mature Period of Jan Gossart's career.

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