Smothered, from The End: A Meditation on Death and ExtinctionJudith Sylvia Cohen · 2016
Painting- Contemporary Art
2016- Contemporary
National Museum of Women in the Arts
Judith Sylvia Cohen (1939 –)
Explore the groundbreaking feminist art of Judy Chicago (née Cohen). Known for 'The Dinner Party' & impactful installations, she redefined women’s history in art.
National Museum of Women in the Arts (Washington, D.C., United States of America)
Discover the National Museum of Women in the Arts in Washington, D.C., home to an iconic collection spanning centuries of female creativity, and explore a powerful narrative that reclaims history through art.
About this artwork
- Title: Smothered, from The End: A Meditation on Death and Extinction
- Artist: Judith Sylvia Cohen
- Year: 2016
- Format: Landscape
- Copyright status: Under copyright
- Where to see it: National Museum of Women in the Arts
- Movement: Contemporary Art
- Creative period: Late Period
- Keywords: blue and green, contemporary style, meditative mood
- Color hue: Green to Violet Spectrum
Questions & Answers
Who is the artist behind "Smothered, from The End: A Meditation on Death and Extinction"?
The artist behind "Smothered, from The End: A Meditation on Death and Extinction" is Judith Sylvia Cohen. The work is catalogued under Judith Sylvia Cohen's name.
What is the dominant color of "Smothered, from The End: A Meditation on Death and Extinction" by Judith Sylvia Cohen?
The color that stands out most in "Smothered, from The End: A Meditation on Death and Extinction" is teal (#0e869b). The dominant color is useful when matching an artwork to an interior.
How intense are the colors in "Smothered, from The End: A Meditation on Death and Extinction" by Judith Sylvia Cohen?
"Smothered, from The End: A Meditation on Death and Extinction" by Judith Sylvia Cohen shows a balanced color intensity.
Is "Smothered, from The End: A Meditation on Death and Extinction" by Judith Sylvia Cohen a bright or a dark artwork?
Overall, "Smothered, from The End: A Meditation on Death and Extinction" is recorded as shadow. Perceived brightness describes how light or dark the work appears.
What was Judith Sylvia Cohen's age when "Smothered, from The End: A Meditation on Death and Extinction" was created?
Judith Sylvia Cohen was 77 years old when creating "Smothered, from The End: A Meditation on Death and Extinction" in 2016. The age is computed from the artist's birth year, 1939.
When was "Smothered, from The End: A Meditation on Death and Extinction" made?
The creation of "Smothered, from The End: A Meditation on Death and Extinction" by Judith Sylvia Cohen is dated 2016.
Where in Judith Sylvia Cohen's career does "Smothered, from The End: A Meditation on Death and Extinction" fall, given its date?
"Smothered, from The End: A Meditation on Death and Extinction", created in 2016, belongs to the Late Period of Judith Sylvia Cohen's career.