Forest in WinterKonstantin Yakovlevich Kryzhitsky · 1906
Impressionism
1906
Omsk Museum of Fine Arts
Omsk Museum of Fine Arts (Omsk, Russian Federation)
Explore Siberian art & European masterpieces at the Omsk Museum of Fine Arts! Admire Fabergé eggs, Repin’s realism & Kandinsky's abstraction – a cultural gem showcasing Russia’s artistic heritage.
About this artwork
- Title: Forest in Winter
- Artist: Konstantin Yakovlevich Kryzhitsky
- Year: 1906
- Format: Portrait
- Copyright status: Public domain
- Where to see it: Omsk Museum of Fine Arts
- Creative period: Mature Period
- Keywords: vertical forest art, serene forest painting, winter forest painting
- Color intensity: Monochromatic
- Perceived brightness: brilliant
Questions & Answers
What is the perceived brightness of "Forest in Winter" by Konstantin Yakovlevich Kryzhitsky?
Overall, "Forest in Winter" is recorded as brilliant. Perceived brightness describes how light or dark the work appears.
Who is the artist behind "Forest in Winter"?
The artist behind "Forest in Winter" is Konstantin Yakovlevich Kryzhitsky. The work is catalogued under Konstantin Yakovlevich Kryzhitsky's name.
When was "Forest in Winter" created, and to which movement does it belong?
"Forest in Winter" was made in 1906, within the Impressionism movement.
Where in Konstantin Yakovlevich Kryzhitsky's career does "Forest in Winter" fall, given its date?
The 1906 date places "Forest in Winter" in the Mature Period of Konstantin Yakovlevich Kryzhitsky's development.
How old was Konstantin Yakovlevich Kryzhitsky when creating "Forest in Winter" in 1906?
Konstantin Yakovlevich Kryzhitsky was 48 years old when creating "Forest in Winter" in 1906. The age is computed from the artist's birth year, 1858.
What is the dominant color of "Forest in Winter" by Konstantin Yakovlevich Kryzhitsky?
The dominant color of "Forest in Winter" by Konstantin Yakovlevich Kryzhitsky is gray (#81868a).
In what year was "Forest in Winter" by Konstantin Yakovlevich Kryzhitsky created?
"Forest in Winter" dates from 1906. The date places the work within Konstantin Yakovlevich Kryzhitsky's career and its era.