As when the pall-bearers shouldering the coffin to bear it from the room, #14Lipman-Wulf, Peter · 1993
German Expressionism
1993
Modern
37.0 x 55.0 cm
Leo Baeck Institute
Lipman-Wulf, Peter (1905 – 1993)
Peter Lipman-Wulf (1905-1993) was a German-born sculptor & printmaker whose expressionist works captured the turbulence of his era. Explore his biblical themes, mythological scenes, and unique blend of German Expressionism & American influences. Find
Leo Baeck Institute (New York City, United States of America)
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A Poignant Encounter in Light and Shadow
In the evocative painting As when the pall-bearers shouldering the coffin to bear it from the room, #14, Peter Lipman-Wulf invites the viewer into a space where the boundaries between the earthly and the divine seem to dissolve. The composition presents a crowded, intimate gathering, bathed in an ethereal, golden glow that permeates the background like a celestial haze. At the heart of this assembly, a tender moment unfolds as a figure cradles a newborn, a gesture of profound vulnerability and hope. This central act of nurturing is surrounded by a cast of characters whose presence feels both grounded in human reality and elevated by mythic significance. Some figures appear draped in the vestments of angels, their forms blending into the luminous atmosphere, while others stand near the threshold of a doorway, suggesting a transition between the private sanctity of the room and the wider, unknown world outside.
The artist’s mastery lies in his ability to weave a complex narrative through subtle interaction and atmospheric depth. The dimly lit corners of the room do not merely represent physical shadows but serve as emotional reservoirs, adding a layer of mystery and solemnity to the scene. There is a palpable sense of weight and ritual within the frame, perhaps alluding to the heavy themes suggested by the title. As eyes wander across the detailed faces and distinct poses of the gathered crowd, one feels the presence of a shared history—a collective witnessing of a moment that is simultaneously a beginning and an end.
The Expressionist Soul and Technical Brilliance
Rooted in the rich traditions of German Expressionism but seasoned by his later life in America, Lipman-Wulf utilizes a technique that prioritizes emotional resonance over mere photographic accuracy. The brushwork, though detailed enough to capture the unique characteristics of each individual, possesses a rhythmic vitality that breathes life into the canvas. The use of color is particularly striking; the dominant yellow tones create a sense of warmth and sanctity, yet they are balanced by the darker, more somber hues that ground the composition in a sense of gravity. This interplay of light and dark—the chiaroscuro of the soul—allows the artist to communicate the turbulent beauty of the human condition.
For the discerning collector or interior designer, this piece offers much more than visual decoration; it provides a focal point for deep contemplation. The painting’s ability to command attention through its complex layering of figures and symbolic light makes it an ideal centerpiece for a sophisticated gallery wall or a quiet study. As a high-quality reproduction, every stroke of Lipman-Wulf's expressive hand is preserved, allowing the texture and the profound emotional weight of the original work to transform any interior space into a sanctuary of art and thought.
About this artwork
- Title: As when the pall-bearers shouldering the coffin to bear it from the room, #14
- Artist: Lipman-Wulf, Peter
- Year: 1993
- Original dimensions: 37.0 x 55.0 cm
- Format: Portrait
- Copyright status: Under copyright
- Where to see it: Leo Baeck Institute
- Movement: German Expressionism
- Period: Modern
- Corpus context: reflects era turbulence, religious and spiritual imagery
Quick Facts
- Dimensions: 37 x 55 cm
- Notable elements or techniques: Bold lines and vibrant colors
- Artist: Peter Lipman-Wulf
- Subject or theme: Religious figures and people in a room
- Artistic style: German Expressionism
Questions & Answers
Who is the artist behind "As when the pall-bearers shouldering the coffin to bear it from the room, #14"?
"As when the pall-bearers shouldering the coffin to bear it from the room, #14" is attributed to Lipman-Wulf, Peter.
What stage of Lipman-Wulf, Peter's career does "As when the pall-bearers shouldering the coffin to bear it from the room, #14" (1993) belong to?
"As when the pall-bearers shouldering the coffin to bear it from the room, #14", created in 1993, belongs to the Late Period of Lipman-Wulf, Peter's career.
What is the recommended use of a print of "As when the pall-bearers shouldering the coffin to bear it from the room, #14"?
A reproduction of "As when the pall-bearers shouldering the coffin to bear it from the room, #14" by Lipman-Wulf, Peter is recommended for conversation. This suggestion follows from the work's subject, mood and colors.
What underlying hue runs through "As when the pall-bearers shouldering the coffin to bear it from the room, #14" by Lipman-Wulf, Peter?
"As when the pall-bearers shouldering the coffin to bear it from the room, #14" leans toward an ochre to sepia tone.
How old was Lipman-Wulf, Peter when creating "As when the pall-bearers shouldering the coffin to bear it from the room, #14" in 1993?
Lipman-Wulf, Peter was 88 years old when creating "As when the pall-bearers shouldering the coffin to bear it from the room, #14" in 1993. The age is computed from the artist's birth year, 1905.
How can "As when the pall-bearers shouldering the coffin to bear it from the room, #14" by Lipman-Wulf, Peter be used in home decor?
Use (conversation) and space (living room) are the two recommendations recorded for "As when the pall-bearers shouldering the coffin to bear it from the room, #14" by Lipman-Wulf, Peter.
In what year was "As when the pall-bearers shouldering the coffin to bear it from the room, #14" by Lipman-Wulf, Peter created?
The creation of "As when the pall-bearers shouldering the coffin to bear it from the room, #14" by Lipman-Wulf, Peter is dated 1993.