Virgin and Child EnthronedLorenzo Costa (The Elder) · 1495

  • Painting mediumOil On Canvas
  • Medium typeWallArt
  • Art movementRenaissance
  • Creation date1495
  • Art periodRenaissance
  • Dimensions50.0 x 37.0 cm
  • MuseumMuseo Thyssen-Bornemisza

Lorenzo Costa (The Elder) (1460 – 1535)

Lorenzo Costa (1460-1535) was a pivotal Italian Renaissance painter of the Ferrara & Bologna schools. Known for soft, atmospheric style, mythological allegories, and religious works. Court painter to Isabella d'Este.

Museo Thyssen-Bornemisza (Madrid, Spain)

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A Serene Vision of Divine Grace

Gazing upon this depiction of the Virgin and Child Enthroned, one is immediately enveloped in an atmosphere of profound tranquility. The composition centers on the tender bond between mother and child, rendered with a delicate grace that speaks to the highest ideals of Renaissance piety. The Virgin Mary, seated regally yet intimately, cradles her divine offspring before her. Her attire, dominated by rich blues, evokes both heavenly majesty and earthly depth. It is a moment suspended in time—a quiet communion observed by the viewer across the centuries.

Mastery of the Early Renaissance Hand

Painted around 1495, this work stands as a beautiful testament to the flourishing artistic spirit of the late Quattrocento. Attributed to Lorenzo Costa (the Elder), the piece showcases the painter's sophisticated handling of form and emotion, drawing upon the meticulous detail absorbed from masters like Francesco Francia. While the subject matter is deeply sacred, Costa imbues it with a humanist elegance characteristic of the era. The technique suggests a careful layering of paint, allowing the soft transitions—a subtle echo of sfumato—to give the figures an almost breathing realism, making the divine seem palpably present within the domesticity of the scene.

Symbolism Woven into the Landscape

The background elements are not mere decoration; they are carefully placed symbols enriching the narrative. Observe the natural details: the presence of a tree in the upper left corner anchors the composition to the earthly realm, while the two visible birds—one near the top and another toward the bottom right—often symbolize the soul or the passage of time in Renaissance iconography. These elements frame the central figures, suggesting that this sacred moment unfolds within a divinely ordered, yet natural, cosmos. The throne itself speaks to Mary's elevated status, while the gentle interaction between mother and child speaks volumes about nurturing grace.

An Heirloom for the Modern Sanctuary

For the discerning collector or designer seeking an object of profound beauty and historical weight, this reproduction offers more than just decoration; it offers a piece of devotional art history. The dimensions of 50 x 37 cm allow it to function beautifully as a focal point in a drawing-room, a chapel niche, or a sophisticated study. Owning this image is to invite the quiet contemplation and enduring artistry of the Italian Renaissance into your contemporary life, allowing you to connect with the spiritual depth that captivated patrons for centuries.


About this artwork

  • Title: Virgin and Child Enthroned
  • Artist: Lorenzo Costa (The Elder)
  • Year: 1495
  • Original dimensions: 50.0 x 37.0 cm
  • Format: Portrait
  • Copyright status: Public domain
  • Where to see it: Museo Thyssen-Bornemisza
  • Movement: Renaissance
  • Creative period: Early Career
  • Corpus context: renaissance spiritual devotion art, ferrara school religious painting

Quick Facts

  • Title: Virgin and Child Enthroned
  • Artistic style: Renaissance painting
  • Year: 1495
  • Artist: Lorenzo Costa (the Elder)
  • Subject or theme: Virgin Mary and Child
  • Notable elements or techniques:
    • Two birds
    • Tree in background

Questions & Answers

What is the creation date of "Virgin and Child Enthroned" by Lorenzo Costa (The Elder)?

"Virgin and Child Enthroned" dates from 1495. The date places the work within Lorenzo Costa (The Elder)'s career and its era.

What was Lorenzo Costa (The Elder)'s age when "Virgin and Child Enthroned" was created?

Lorenzo Costa (The Elder) was 35 years old when creating "Virgin and Child Enthroned" in 1495. The age is computed from the artist's birth year, 1460.

What are the medium and date of "Virgin and Child Enthroned" by Lorenzo Costa (The Elder)?

The medium of "Virgin and Child Enthroned" by Lorenzo Costa (The Elder) is oil on canvas, and the work is dated 1495.

What feeling does "Virgin and Child Enthroned" bring as a present?

The spiritual tone of "Virgin and Child Enthroned" by Lorenzo Costa (The Elder) matches its recommended gift occasion: anniversary.

Which artist is "Virgin and Child Enthroned" attributed to?

"Virgin and Child Enthroned" was created by Lorenzo Costa (The Elder). The information on this page describes Lorenzo Costa (The Elder)'s original work.

What luminance does "Virgin and Child Enthroned" by Lorenzo Costa (The Elder) have?

"Virgin and Child Enthroned" by Lorenzo Costa (The Elder) has a soft shadow luminance. Luminance describes how much light the colors appear to reflect.

What is the overall mood of "Virgin and Child Enthroned" by Lorenzo Costa (The Elder)?

The overall mood of "Virgin and Child Enthroned" by Lorenzo Costa (The Elder) is serene. The mood describes the general atmosphere of the work.

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