Woman's HeadNicolaus Gerhaert van Leyden · 1463
1463
Liebieghaus
Nicolaus Gerhaert van Leyden (1430 – 1473)
Explore the remarkable realism of Nicolaus Gerhaert van Leyden! This 15th-century Dutch sculptor excelled in tomb & altarpiece work, famed for vivid drapery & anatomical detail.
Liebieghaus (Frankfurt, Germany)
Discover 5,000 years of sculpture at Frankfurt's Liebieghaus! Explore ancient Egyptian, Greek & Roman masterpieces, the stunning Rimini Altar, and contemporary art in a beautiful garden setting.
About this artwork
- Title: Woman's Head
- Artist: Nicolaus Gerhaert van Leyden
- Year: 1463
- Format: Landscape
- Copyright status: Public domain
- Where to see it: Liebieghaus
- Color palette: Neutrals
- Main color: White
- Color intensity: Monochromatic
Questions & Answers
How light is "Woman's Head" overall?
In terms of perceived brightness, "Woman's Head" by Nicolaus Gerhaert van Leyden is brilliant.
What color saturation does "Woman's Head" by Nicolaus Gerhaert van Leyden have?
The colors of "Woman's Head" by Nicolaus Gerhaert van Leyden have a muted saturation. Saturation describes how vivid or muted the colors are.
How old was Nicolaus Gerhaert van Leyden when creating "Woman's Head" in 1463?
When "Woman's Head" was created in 1463, Nicolaus Gerhaert van Leyden - born in 1430 - was 33 years old.
Who created "Woman's Head"?
The artist behind "Woman's Head" is Nicolaus Gerhaert van Leyden. The work is catalogued under Nicolaus Gerhaert van Leyden's name.
Does the copyright of "Woman's Head" by Nicolaus Gerhaert van Leyden allow reproductions?
"Woman's Head" by Nicolaus Gerhaert van Leyden, held at the Liebieghaus, is in the public domain - its copyright has expired. This status determines whether reproductions of the image may be made.
Does "Woman's Head" show strong light-dark contrasts?
"Woman's Head" by Nicolaus Gerhaert van Leyden shows a statement contrast between its light and dark areas.
What is the creation date of "Woman's Head" by Nicolaus Gerhaert van Leyden?
"Woman's Head" dates from 1463. The date places the work within Nicolaus Gerhaert van Leyden's career and its era.