the strAnge ball #135Noh, Suntag · 2007

  • Creation date2007
  • Dimensions100.0 x 800.0 cm
  • MuseumKorean Art Museum Association
High technology Radar Dome in Daechu-ri Korea shows us the process of discovering the identity of the white massive structure that stands in the middle of the open fields of Daechoori village in Pyoungtaek, Korea. In his approximately 100 page journal, the artist records interviews with the villagers with inquiry letters sent to the U.S. army headquarters in Korea, information collected through a search engine across domestic and international sites, consultative information from military advisers, and documents on the structure. Also, it shows what happened to the old farmers who lived adjacent to the white ball. The name of this high capacity radar is Radome, a combined word of Radar and Dome. It represents the status of the U.S. in the Korean Peninsula, which has a strong influence on Korean politics, holding complete control over national security and information. The Daechoori village in Pyoungtaek was completely destroyed by a massive U.S. military base extension project, under the plan for ‘strategic flexibility’. The Daechoori villagers have a long history of exploitation by foreign forces; firstly during the Japanese colonial period and again after the breakout of the Korean War, by U.S. military forces. The agricultural communities that survived these hard times were completely dismantled during the violence of 2006. Korean society could not provide a proper solution for the desperate appeals of the old farmers. series consists of about 100 photographic images. The image of Radome harmonizes uncannily with the surrounding sceneries, sometimes hiding itself and sometimes highlighting itself in the scene. It might seem that we are free to enjoy the disguising skill of the naughty, strange ball, but it actually might be the will of the monster.

Noh, Suntag (1971 –)

South Korean photographer noh suntag explores the poignant realities of Korea's division through evocative imagery. His work delves into life & memory, featured in international exhibitions.

Korean Art Museum Association (Seoul, South Korea)

Explore Korean art & culture at KAMA! Discover stunning reproductions of iconic artworks by renowned artists like Lee Jong-gu and Yoo Lizzy, alongside exhibitions & resources supporting Seoul’s vibrant artistic community.

About this artwork

  • Title: the strAnge ball #135
  • Artist: Noh, Suntag
  • Year: 2007
  • Original dimensions: 100.0 x 800.0 cm
  • Format: Landscape
  • Copyright status: Under copyright
  • Where to see it: Korean Art Museum Association
  • Main color: Celadon
  • Color intensity: Monochromatic

Questions & Answers

How is "the strAnge ball #135" by Noh, Suntag proportioned, and how big is it?

"the strAnge ball #135" by Noh, Suntag is proportioned as a landscape work of 100 x 800 cm.

In what year was "the strAnge ball #135" by Noh, Suntag created?

"the strAnge ball #135" dates from 2007. The date places the work within Noh, Suntag's career and its era.

How light is "the strAnge ball #135" overall?

In terms of perceived brightness, "the strAnge ball #135" by Noh, Suntag is shadow.

How do the colors of "the strAnge ball #135" relate to each other?

The colors of "the strAnge ball #135" by Noh, Suntag show a strong color unity harmony. Harmony describes how the colors relate to each other.

At what age did Noh, Suntag make "the strAnge ball #135"?

When "the strAnge ball #135" was created in 2007, Noh, Suntag - born in 1971 - was 36 years old.

Who is the artist behind "the strAnge ball #135"?

"the strAnge ball #135" is attributed to Noh, Suntag.

Is "the strAnge ball #135" more bright or more dark overall?

"the strAnge ball #135" by Noh, Suntag is recorded as shadow, with a soft shadow luminance.

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