The Ourcq Canal, Towpath, MoonlightStanislas Lépine · 1876
1876
Stanislas Lépine (1835 – 1892)
Stanislas Lépine (1835-1892): French landscape artist celebrated for serene Seine River scenes & tranquil Parisian views. A precursor to Impressionism, beautifully capturing 19th-century France.
About this artwork
- Title: The Ourcq Canal, Towpath, Moonlight
- Artist: Stanislas Lépine
- Year: 1876
- Format: Landscape
- Copyright status: Public domain
- Color palette: Dark
- Color hue: Ochre to Sepia
- Perceived brightness: balanced
Questions & Answers
Is "The Ourcq Canal, Towpath, Moonlight" by Stanislas Lépine in the public domain?
The copyright answer for "The Ourcq Canal, Towpath, Moonlight" by Stanislas Lépine: the work is in the public domain - its copyright has expired. This determines whether reproductions of the image may be freely made.
Do the colors of "The Ourcq Canal, Towpath, Moonlight" appear strong or soft?
The colors in "The Ourcq Canal, Towpath, Moonlight" by Stanislas Lépine have a vivid intensity.
Is "The Ourcq Canal, Towpath, Moonlight" by Stanislas Lépine a bright or a dark artwork?
Overall, "The Ourcq Canal, Towpath, Moonlight" is recorded as balanced. Perceived brightness describes how light or dark the work appears.
Who created "The Ourcq Canal, Towpath, Moonlight"?
The artist behind "The Ourcq Canal, Towpath, Moonlight" is Stanislas Lépine. The work is catalogued under Stanislas Lépine's name.
What was Stanislas Lépine's age when "The Ourcq Canal, Towpath, Moonlight" was created?
Stanislas Lépine made "The Ourcq Canal, Towpath, Moonlight" at the age of 41. The artist was born in 1835 and the work is dated 1876.
What color harmony does "The Ourcq Canal, Towpath, Moonlight" by Stanislas Lépine display?
The colors of "The Ourcq Canal, Towpath, Moonlight" by Stanislas Lépine show a unified palette harmony. Harmony describes how the colors relate to each other.
What is the creation date of "The Ourcq Canal, Towpath, Moonlight" by Stanislas Lépine?
"The Ourcq Canal, Towpath, Moonlight" dates from 1876. The date places the work within Stanislas Lépine's career and its era.