Sake cup with sugoroku board game design (Supplemental)Takizawa Koryūsai Ii · 1800

  • Painting mediumLacquer
  • Medium typeDecor
  • Art movementUkiyo-e
  • Creation date1800
  • Art period19th Century
  • MuseumTachibana Museum

A Miniature Universe in Vermilion and Gold

In the quiet intimacy of an Edo-period tea ceremony, few objects command attention quite like this exquisite sake cup, a masterpiece of 19th-century Japanese craftsmanship. At first glance, the eye is drawn to the vibrant, lustrous vermilion lacquer that serves as the canvas for a breathtakingly complex narrative. This is not merely a vessel for wine, but a portable window into the heart of old Tokyo. The design features a rare and captivating sugoroku—a traditional Japanese board game—spiraling across the surface in a rhythmic, hypnotic motion. As one rotates the cup, a miniature journey unfolds, tracing the legendary landmarks of Edo, from the bustling energy of the Nihonbashi Bridge to the imposing majesty of the Ote-mon Gate at Edo Castle.

The artistry is achieved through the meticulous technique of hira maki-e, or flat sprinkled metal decoration. This method allows the artist, Kōryūsai, to layer fine gold dust onto the wet lacquer, creating a subtle yet brilliant relief that catches the light with every movement. The interplay between the deep red base and the shimmering gold highlights creates a sense of depth and motion, making the depicted cityscape feel alive. Each tiny detail—the curve of a bridge, the silhouette of a gate—is rendered with a precision that speaks to the profound patience required by the master lacquerware artists of this era.

The Legacy of Takizawa Koryūsai II

To understand the soul of this piece, one must look to its creator, Takizawa Koryūsai II. A descendant of a respected lineage of printmakers and a student of the legendary Katsukawa Shunshō, Koryūsai II brought the delicate sensibilities of ukiyo-e woodblock printing to the medium of lacquerware. While his career remains shrouded in the beautiful mysteries of history, his influence is undeniable. He possessed an unparalleled ability to capture the "floating world"—the fleeting moments of beauty, urban life, and seasonal change that defined the Edo period.

In this sake cup, we see the convergence of two great Japanese traditions: the narrative storytelling of ukiyo-e and the tactile luxury of maki-e. The artist does not merely decorate a surface; he maps a cultural identity. For the modern collector or interior designer, this piece represents more than just an antique aesthetic; it is a profound connection to a lost era of urban elegance. Whether displayed as a focal point in a curated collection or used to inspire a sophisticated, Zen-inspired interior, this reproduction serves as a timeless tribute to the meticulous spirit of Japanese decorative arts.

Takizawa Koryūsai Ii (1756 – 1810)

Takizawa Koryūsai II (1756-1810) was a Japanese ukiyo-e artist known for delicate prints of beautiful women, kabuki actors & landscapes. A student of Katsukawa Shunshō, his works showcase mastery of woodblock printing and lacquer techniques. Explore

Tachibana Museum (Fukuoka, Japan)

Discover Edo period treasures at Tachibana Museum in Fukuoka! Explore samurai armor, lacquerware, dolls & a national treasure from the Yanagawa clan's legacy within a historic estate.

About this artwork

  • Title: Sake cup with sugoroku board game design (Supplemental)
  • Artist: Takizawa Koryūsai Ii
  • Year: 1800
  • Format: Landscape
  • Copyright status: Public domain
  • Where to see it: Tachibana Museum
  • Medium: Lacquer
  • Period: 19th Century
  • Medium type: Decor
  • Color palette: Neutrals

Quick Facts

  • Medium: Hira maki-e on vermilion lacquer
  • Influences: Katsukawa Shunshō
  • Notable elements or techniques: Spirally arranged hira maki-e decoration
  • Title: Sake cup with sugoroku board game design
  • Year: 1800

Questions & Answers

How old was Takizawa Koryūsai Ii when creating "Sake cup with sugoroku board game design (Supplemental)" in 1800?

Takizawa Koryūsai Ii was 44 years old when creating "Sake cup with sugoroku board game design (Supplemental)" in 1800. The age is computed from the artist's birth year, 1756.

Who made "Sake cup with sugoroku board game design (Supplemental)", and when?

"Sake cup with sugoroku board game design (Supplemental)" was created by Takizawa Koryūsai Ii in 1800.

What emotion does "Sake cup with sugoroku board game design (Supplemental)" by Takizawa Koryūsai Ii convey?

"Sake cup with sugoroku board game design (Supplemental)" is associated with a playful feeling. The emotional tone describes the impression the work gives.

What emotion does the Ukiyo-e work "Sake cup with sugoroku board game design (Supplemental)" convey?

"Sake cup with sugoroku board game design (Supplemental)" carries a playful emotional tone within the Ukiyo-e movement.

What is the dominant hue of "Sake cup with sugoroku board game design (Supplemental)" by Takizawa Koryūsai Ii?

The dominant hue of "Sake cup with sugoroku board game design (Supplemental)" by Takizawa Koryūsai Ii is golden yellow range. The hue is the underlying tone of the palette.

In what year was "Sake cup with sugoroku board game design (Supplemental)" by Takizawa Koryūsai Ii created?

The creation of "Sake cup with sugoroku board game design (Supplemental)" by Takizawa Koryūsai Ii is dated 1800.

Who is the artist behind "Sake cup with sugoroku board game design (Supplemental)"?

"Sake cup with sugoroku board game design (Supplemental)" is attributed to Takizawa Koryūsai Ii.

© 2026 mus3ums.com