Title Name(Japanese): 磁器 色絵スベリヒユ模様大皿Tomimoto KenkichiNone

  • Painting mediumAcrylic
  • Medium typeWallArt
  • Art movementJapanese Decorative Arts
  • Dimensions40.0 x 7.0 cm
  • MuseumNara Prefectural Museum of Art

Tomimoto Kenkichi (1886 – 1963)

Discover Tomimoto Kenkichi, Japan's Living National Treasure! Master of lacquered zelkova shelves & exquisite ceramics. Explore his iconic designs & legacy at Mus3ums.com.

Nara Prefectural Museum of Art (Nara, Japan)

Explore Nara Prefectural Museum of Art's stunning collection spanning centuries! Featuring Yoshikawa Kanpo’s legacy & masterpieces by Ikeda Koson, Tomimoto Kenkichi & Nara Yoshitomo Zuzanna – a journey through Japanese art awaits.

A Celebration of Lacquered Beauty: Exploring Tomimoto Kenkichi’s Ceramic Plate

  • Subject Matter & Composition:
  • Style & Technique:
  • Historical Context & Influences:
  • Symbolism & Artistic Intent:
  • Emotional Resonance & Aesthetic Appeal:

This stunning ceramic plate, attributed to Tomimoto Kenkichi (1886-1963), transcends mere decorative function; it embodies a profound connection to Japanese artistic tradition and represents the zenith of lacquerware craftsmanship. The image itself presents a vibrant panorama – a meticulously crafted vessel adorned with an intricate floral motif featuring leaves and blossoms interspersed with delicate birds. Each element contributes to a harmonious visual narrative that speaks volumes about Kenkichi’s artistic vision.

Style & Technique: Mastering the Art of Lacquerware

  • Lacquerware Tradition:
  • Detailed Decoration Method:
  • Color Palette & Pigment Application:
  • Surface Texture & Finish:

Tomimoto Kenkichi’s mastery lay in his unwavering dedication to lacquerware techniques, a craft that dates back centuries and is revered for its ability to transform ordinary materials into objects of extraordinary beauty. Lacquerware, known for its durability and luminous sheen, demanded painstaking precision – layering thin coats of resin derived from pine sap over successive generations of wood surfaces. Kenkichi’s skill shone through in the meticulous application of color pigments, achieving a breathtaking spectrum of hues—red, green, blue, yellow, and white—that shimmered under light.

Historical Context & Influences: Echoes of Nara’s Artistic Legacy

  • Nara Period Aesthetics:
  • Japanese Decorative Arts Movement:
  • Living National Treasure Designation:

The plate's creation aligns perfectly with the Nara Period aesthetic, characterized by serene landscapes and stylized floral representations—a stylistic preference that continues to resonate within Japanese art. Kenkichi’s recognition as a Living National Treasure underscores the significance of his contribution to Japan’s cultural heritage, cementing his place among the nation’s most celebrated artists. This honor reflects not only his technical prowess but also his embodiment of Nara’s artistic spirit—a commitment to preserving and innovating upon established traditions.

Symbolism & Artistic Intent: Layers of Meaning Beyond Decoration

  • Floral Motifs & Symbolic Representation:
  • Birds as Symbols of Prosperity & Harmony:
  • The Plate’s Role in Ritualistic Context:

Beyond its visual splendor, the plate is laden with symbolic significance. Flowers—particularly cherry blossoms—represent ephemeral beauty and renewal, mirroring themes prevalent throughout Japanese art history. Birds, frequently depicted on ceremonial objects, symbolize auspiciousness and balance – reflecting Kenkichi’s desire to imbue his artwork with spiritual depth. The plate itself served as a vessel for ritualistic offerings, highlighting the artist's understanding of how art could communicate profound ideas.

Emotional Resonance & Aesthetic Appeal: Capturing Tranquility & Refinement

  • Visual Harmony & Balance:
  • The Tactile Experience of Lacquered Texture:
  • A Legacy of Artistic Excellence:

Ultimately, Kenkichi’s ceramic plate succeeds in evoking a sense of tranquility and refinement. The carefully considered composition—the balanced arrangement of floral elements and birds—creates a visual harmony that invites contemplation. Moreover, the tactile quality of lacquerware – its smooth surface and subtle sheen – provides an immersive sensory experience. Tomimoto Kenkichi's work stands as a testament to artistic excellence, continuing to inspire collectors and interior designers alike with its timeless beauty.


About this artwork

  • Title: Title Name(Japanese): 磁器 色絵スベリヒユ模様大皿
  • Artist: Tomimoto Kenkichi
  • Original dimensions: 40.0 x 7.0 cm
  • Format: Square
  • Copyright status: Under copyright
  • Where to see it: Nara Prefectural Museum of Art
  • Movement: Japanese Decorative Arts
  • Creative period: Mature Period
  • Corpus context: lacquer tradition, zen buddhism symbolism
  • Purpose: Accent

Quick Facts

  • Subject or theme: Floral Pattern
  • Artistic style: Traditional Japanese lacquerware
  • Medium: Lacquerware & Ceramics
  • Dimensions: 40 x 7 cm
  • Movement: Japanese Art Deco
  • Title: 磁器 色絵スベリヒユ模様大皿

Questions & Answers

Who created "Title Name(Japanese): 磁器 色絵スベリヒユ模様大皿" and what style is it in?

"Title Name(Japanese): 磁器 色絵スベリヒユ模様大皿" was created by Tomimoto Kenkichi in the Japanese Decorative Arts style. Artist and movement identify the work's tradition.

Who created "Title Name(Japanese): 磁器 色絵スベリヒユ模様大皿"?

The artist behind "Title Name(Japanese): 磁器 色絵スベリヒユ模様大皿" is Tomimoto Kenkichi. The work is catalogued under Tomimoto Kenkichi's name.

Which artistic current is "Title Name(Japanese): 磁器 色絵スベリヒユ模様大皿" by Tomimoto Kenkichi part of?

The movement associated with "Title Name(Japanese): 磁器 色絵スベリヒユ模様大皿" by Tomimoto Kenkichi is Japanese Decorative Arts. This classification situates the work among related artists and artworks.

At what size is "Title Name(Japanese): 磁器 色絵スベリヒユ模様大皿" recommended to be printed?

A large reproduction is suggested for "Title Name(Japanese): 磁器 色絵スベリヒユ模様大皿" by Tomimoto Kenkichi. Size can be adjusted while keeping the proportions.

Which period of Tomimoto Kenkichi's career does "Title Name(Japanese): 磁器 色絵スベリヒユ模様大皿" belong to?

"Title Name(Japanese): 磁器 色絵スベリヒユ模様大皿" belongs to the Mature Period of Tomimoto Kenkichi's career. This classification relates the work to the artist's development.

How is the color composition of "Title Name(Japanese): 磁器 色絵スベリヒユ模様大皿" by Tomimoto Kenkichi built?

In "Title Name(Japanese): 磁器 色絵スベリヒユ模様大皿", a statement contrast is paired with a softly mixed palette harmony.

What saturation and intensity does "Title Name(Japanese): 磁器 色絵スベリヒユ模様大皿" by Tomimoto Kenkichi show?

The colors of "Title Name(Japanese): 磁器 色絵スベリヒユ模様大皿" by Tomimoto Kenkichi show a muted saturation with a monochromatic intensity.

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