Tokyo Civilization Famous Places: Contests: Ginza Brick StoneUtagawa Kunisada Ii · 1874

  • Painting mediumWoodblock Print
  • Art movementUkiyo-e
  • Creation date1874
  • Art period19th Century
  • MuseumKeio University Library

Utagawa Kunisada Ii (1823 – 1880)

Explore Utagawa Kunisada II's stunning ukiyo-e prints! Featuring actors, beauties & scenes from Japanese literature. Discover his legacy in Edo period art.

Keio University Library (Tokyo, Japan)

n 8 minutes on foot from JR Tamachi Station 7 minutes on foot from Toei Subway Mita Station 8 minutes on foot from Akabanebashi Station

A Window into Meiji Era Vibrancy

Step into a world where the ancient traditions of Edo meet the burgeoning energy of a modernizing Japan. Utagawa Kunisada II’s 1874 masterpiece, Tokyo Civilization Famous Places: Cont。《Ginza Brick Stone》, serves as a breathtaking time capsule, capturing the rhythmic pulse of a city in transition. This exquisite woodblock print invites the viewer to wander through a bustling urban landscape, where the architectural evolution of Ginza is laid bare. The composition is masterfully layered, utilizing a sophisticated sense of perspective that draws the eye deep into the heart of the street scene, past roaming figures and horse-drawn carriages, toward the receding silhouettes of a city finding its new identity.

The artwork is a quintessential example of the ukiyo-e style, characterized by its bold, confident outlines and the striking use of flat color planes. Through the meticulous technique of woodblock printing, Kunisada II achieves a rich, tactile quality that makes the scene feel almost tangible. The palette is dominated by warm, earthy tones—deep browns and muted greys—which are brilliantly interrupted by the fiery, emotive presence of red maple leaves. These seasonal accents do more than provide visual contrast; they serve as poignant symbols of autumn and the transient nature of life, a concept deeply rooted in Japanese aesthetic philosophy. The interplay between the structured, man-made brickwork and the organic beauty of the foliage creates a tension that is both visually stimulating and philosophically profound.

Artistic Mastery and Historical Resonance

For the discerning collector or interior designer, this print offers much more than mere decoration; it provides a narrative depth that can anchor an entire room. The technique involves the careful carving of wooden blocks to produce subtle gradations and textures that lend a slightly grainy, authentic character to the paper. This texture, combined with the strong, defined lines of the buildings and figures, creates a sense of structural permanence even amidst the fleeting movement of daily commerce. The lighting, suggesting the clear, natural glow of daylight, illuminates the scene with a clarity that highlights the social interactions and the lively atmosphere of the era.

Owning a high-quality reproduction of this work means bringing a piece of history into a contemporary space. It evokes an emotional response of nostalgia and wonder, offering a glimpse into a bygone era of Japanese civilization. Whether placed in a curated gallery setting or used as a focal point in a sophisticated living area, the print’s vibrant reds and balanced composition provide a sense of warmth and cultural richness. It is an invitation to contemplate the intersection of tradition and progress, making it an invaluable acquisition for those who appreciate art that tells a story of resilience, beauty, and the enduring spirit of Tokyo.


About this artwork

  • Title: Tokyo Civilization Famous Places: Contests: Ginza Brick Stone
  • Artist: Utagawa Kunisada Ii
  • Year: 1874
  • Format: Portrait
  • Copyright status: Public domain
  • Where to see it: Keio University Library
  • Medium: Woodblock Print
  • Corpus context: kabuki influence, social commentary
  • Purpose: Cultural
  • Keywords: edo period art, ginza brick stone, japanese woodblock

Quick Facts

  • Title: Tokyo Civilization: Ginza Brick Stone
  • Subject or theme: Daily life in Edo period Japan
  • Artistic style: Ukiyo-e with bold outlines and flat color
  • Artist: Utagawa Kunisada II
  • Movement: Ukiyo-e
  • Year: 1874

Questions & Answers

What color leads the composition of "Tokyo Civilization Famous Places: Contests: Ginza Brick Stone" by Utagawa Kunisada Ii?

gray (#636964) is the leading color of "Tokyo Civilization Famous Places: Contests: Ginza Brick Stone" by Utagawa Kunisada Ii.

In what year was "Tokyo Civilization Famous Places: Contests: Ginza Brick Stone" by Utagawa Kunisada Ii created?

"Tokyo Civilization Famous Places: Contests: Ginza Brick Stone" by Utagawa Kunisada Ii was created in 1874.

What color harmony does "Tokyo Civilization Famous Places: Contests: Ginza Brick Stone" by Utagawa Kunisada Ii display?

The colors of "Tokyo Civilization Famous Places: Contests: Ginza Brick Stone" by Utagawa Kunisada Ii show a discordant palette harmony. Harmony describes how the colors relate to each other.

Which room is "Tokyo Civilization Famous Places: Contests: Ginza Brick Stone" by Utagawa Kunisada Ii recommended for?

The recommended space for "Tokyo Civilization Famous Places: Contests: Ginza Brick Stone" by Utagawa Kunisada Ii is a restaurant (casual). The suggestion can of course be adapted to your interior.

What was Utagawa Kunisada Ii's age when "Tokyo Civilization Famous Places: Contests: Ginza Brick Stone" was created?

When "Tokyo Civilization Famous Places: Contests: Ginza Brick Stone" was created in 1874, Utagawa Kunisada Ii - born in 1823 - was 51 years old.

What is the emotional tone of "Tokyo Civilization Famous Places: Contests: Ginza Brick Stone" by Utagawa Kunisada Ii?

"Tokyo Civilization Famous Places: Contests: Ginza Brick Stone" is associated with a nostalgic feeling. The emotional tone describes the impression the work gives.

Who created "Tokyo Civilization Famous Places: Contests: Ginza Brick Stone"?

"Tokyo Civilization Famous Places: Contests: Ginza Brick Stone" was created by Utagawa Kunisada Ii. The information on this page describes Utagawa Kunisada Ii's original work.

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