Benjamin Lynde, SrWashington AllstonNone

  • Art movementBaroque

Washington Allston (1779 – 1843)

Explore the Romantic landscapes of Washington Allston (1779-1843), a pioneer of American landscape painting. Known for dramatic light, atmospheric color & literary themes. Discover his influence on Emerson & more!


About this artwork

  • Title: Benjamin Lynde, Sr
  • Artist: Washington Allston
  • Format: Portrait
  • Copyright status: Public domain
  • Movement: Baroque
  • Keywords: powdered wig art, rococo portrait style, formal portrait art
  • Color intensity: Monochromatic
  • Perceived brightness: deep_shadow
  • Topics: dignified, baroque, formal

Questions & Answers

How do movement and era meet in "Benjamin Lynde, Sr" by Washington Allston?

"Benjamin Lynde, Sr" by Washington Allston is placed in the Baroque movement, within the 19th-Century era of its creator.

How does the subject of "Benjamin Lynde, Sr" relate to Washington Allston's usual themes?

"Benjamin Lynde, Sr" depicts portrait, elderly man, dignified, formal, velvet coat, powdered wig, baroque, somber, while Washington Allston's recorded themes are representative of allston's style, illustrates his mastery, reflects american ideals, baroque portraiture, 18th-century formality, detailed realism, status & wealth, social hierarchy. Comparing the two shows how the work relates to the artist's usual subjects.

Is "Benjamin Lynde, Sr" by Washington Allston in the public domain?

The copyright answer for "Benjamin Lynde, Sr" by Washington Allston: the work is in the public domain - its copyright has expired. This determines whether reproductions of the image may be freely made.

Which period of Washington Allston's career does "Benjamin Lynde, Sr" belong to?

"Benjamin Lynde, Sr" belongs to the Mature Period of Washington Allston's career. This classification relates the work to the artist's development.

Who is the author of "Benjamin Lynde, Sr", and in which movement?

Behind "Benjamin Lynde, Sr" stand Washington Allston and the Baroque movement.

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