Praying GirlWilhelm Lehmbruck · 1918

  • Creation date1918
  • Dimensions53.0 x 82.0 cm
  • MuseumLehmbruck Museum

Wilhelm Lehmbruck (1881 – 1919)

Wilhelm Lehmbruck (1881-1919) was a pivotal German sculptor known for his expressive, elongated figures embodying melancholy & the human condition. Influenced by Realism & Expressionism, his work bridges naturalism with modern psychological depth. Ex

Lehmbruck Museum (Düsseldorf, Germany)

Discover expressive sculptures by Wilhelm Lehmbruck & modern art at Düsseldorf’s Lehmbruck Museum. Explore rotating exhibitions and the legacy of German Expressionism in a unique cultural hub.


About this artwork

  • Title: Praying Girl
  • Artist: Wilhelm Lehmbruck
  • Year: 1918
  • Original dimensions: 53.0 x 82.0 cm
  • Format: Portrait
  • Copyright status: Public domain
  • Where to see it: Lehmbruck Museum
  • Color palette: Earthy
  • Color intensity: Monochromatic

Questions & Answers

Can "Praying Girl" by Wilhelm Lehmbruck, held at the Lehmbruck Museum, be legally reproduced?

The original "Praying Girl" is at the Lehmbruck Museum, and the work is in the public domain - its copyright has expired.

Is "Praying Girl" free of copyright?

Regarding copyright, "Praying Girl" is in the public domain - its copyright has expired.

Who created "Praying Girl"?

The artist behind "Praying Girl" is Wilhelm Lehmbruck. The work is catalogued under Wilhelm Lehmbruck's name.

How strong is the contrast in "Praying Girl" by Wilhelm Lehmbruck?

The light-dark contrast of "Praying Girl" is recorded as bold. Contrast describes how strongly light and dark areas differ.

What color intensity does "Praying Girl" by Wilhelm Lehmbruck have?

The colors in "Praying Girl" by Wilhelm Lehmbruck have a monochromatic intensity.

What was Wilhelm Lehmbruck's age when "Praying Girl" was created?

Wilhelm Lehmbruck made "Praying Girl" at the age of 37. The artist was born in 1881 and the work is dated 1918.

What is the creation date of "Praying Girl" by Wilhelm Lehmbruck?

"Praying Girl" dates from 1918. The date places the work within Wilhelm Lehmbruck's career and its era.

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