Mary Savile (1700–1751), Countess of ThanetWilliam Aikman · 1728

  • Creation date1728
  • Dimensions59.0 x 59.0 cm

William Aikman (1682 – 1731)

Explore the captivating portraits of William Aikman, a Scottish artist known for his serene style & patronage by notable figures like Ramsay & Thomson.


About this artwork

  • Title: Mary Savile (1700–1751), Countess of Thanet
  • Artist: William Aikman
  • Year: 1728
  • Original dimensions: 59.0 x 59.0 cm
  • Format: Square
  • Copyright status: Public domain
  • Color palette: Neutrals
  • Color intensity: Monochromatic
  • Topics: virgin mary

Questions & Answers

How strong is the contrast in "Mary Savile (1700–1751), Countess of Thanet" by William Aikman?

The light-dark contrast of "Mary Savile (1700–1751), Countess of Thanet" is recorded as statement. Contrast describes how strongly light and dark areas differ.

How does "Mary Savile (1700–1751), Countess of Thanet" balance light and dark?

The recorded values for "Mary Savile (1700–1751), Countess of Thanet" by William Aikman are: bright brightness, bright balance luminance.

How old was William Aikman when creating "Mary Savile (1700–1751), Countess of Thanet" in 1728?

William Aikman was 46 years old when creating "Mary Savile (1700–1751), Countess of Thanet" in 1728. The age is computed from the artist's birth year, 1682.

Who created "Mary Savile (1700–1751), Countess of Thanet"?

"Mary Savile (1700–1751), Countess of Thanet" is attributed to William Aikman.

What color saturation does "Mary Savile (1700–1751), Countess of Thanet" by William Aikman have?

The colors of "Mary Savile (1700–1751), Countess of Thanet" by William Aikman have a subtle color saturation. Saturation describes how vivid or muted the colors are.

When was "Mary Savile (1700–1751), Countess of Thanet" made?

"Mary Savile (1700–1751), Countess of Thanet" dates from 1728. The date places the work within William Aikman's career and its era.

What is the dominant hue of "Mary Savile (1700–1751), Countess of Thanet" by William Aikman?

The dominant hue of "Mary Savile (1700–1751), Countess of Thanet" by William Aikman is ochre to sepia. The hue is the underlying tone of the palette.

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