Probably Elizabeth Cary, née TanfieldWilliam Larkin · 1618
1618
206.0 x 121.0 cm
English Heritage
William Larkin (1580 – 1619)
Explore the life & legacy of William, Prince of Wales – heir to the British throne, advocate for environment & mental health, and a modern royal figure.
English Heritage (London, United Kingdom)
Discover England's rich history at English Heritage! Explore iconic castles, palaces & gardens across the UK. Family fun, events & heritage await – plan your visit today!
About this artwork
- Title: Probably Elizabeth Cary, née Tanfield
- Artist: William Larkin
- Year: 1618
- Original dimensions: 206.0 x 121.0 cm
- Format: Tall
- Copyright status: Public domain
- Where to see it: English Heritage
- Color intensity: Balanced
- Perceived brightness: balanced
Questions & Answers
What is the creation date of "Probably Elizabeth Cary, née Tanfield" by William Larkin?
"Probably Elizabeth Cary, née Tanfield" by William Larkin was created in 1618.
Which artist is "Probably Elizabeth Cary, née Tanfield" attributed to?
"Probably Elizabeth Cary, née Tanfield" is attributed to William Larkin.
How is "Probably Elizabeth Cary, née Tanfield" by William Larkin proportioned, and how big is it?
"Probably Elizabeth Cary, née Tanfield" by William Larkin is a tall composition measuring 206 x 121 cm in the original.
How old was William Larkin when creating "Probably Elizabeth Cary, née Tanfield" in 1618?
William Larkin was 38 years old when creating "Probably Elizabeth Cary, née Tanfield" in 1618. The age is computed from the artist's birth year, 1580.
How light is "Probably Elizabeth Cary, née Tanfield" overall?
The perceived brightness of "Probably Elizabeth Cary, née Tanfield" by William Larkin is balanced. It can be matched to the light of the intended space.
Which museum holds the original "Probably Elizabeth Cary, née Tanfield"?
The original "Probably Elizabeth Cary, née Tanfield" by William Larkin is held at the English Heritage, London, United Kingdom. A reproduction allows the work to be displayed at home.
How do contrast and harmony combine in "Probably Elizabeth Cary, née Tanfield"?
The color analysis of "Probably Elizabeth Cary, née Tanfield" by William Larkin records a statement contrast and a strong color unity harmony.