Going Around The World – Enric Clarasó I Daudí: A Vision of Catalan Modernism

Enric Clarasó i Daudí (Sant Feliu del Racó, 1857 - Barcelona, 1941) stands as a cornerstone of Catalan Modernism, an artistic movement that sought to revitalize Catalan identity amidst the turbulent currents of European change. His sculpture "Going Around The World," completed in 1890, embodies this spirit—a testament to both observation and imaginative interpretation of the human condition. Measuring 49 x 49 cm, this bronze masterpiece resides within the Cau Ferrat Museum in Sitges, Spain, offering visitors a poignant glimpse into the aesthetic sensibilities of Barcelona at the turn of the century.

A Sculptor's Journey: Early Influences and Artistic Formation

Born into an artisan family, Clarasó’s formative years were marked by a relocation to Barcelona at just two years old—a pivotal moment that propelled him towards artistic pursuits. His apprenticeship in a perfume store provided initial grounding, followed by a harrowing illness with yellow fever in 1869 which steered him toward the workshop of Joan Roig i Solé, establishing a crucial mentorship relationship. Simultaneously, he honed his skills at the Escola de la Llotja, immersing himself in drawing and clay modeling—disciplines that would become foundational to his distinctive sculptural style.

Collaboration and Artistic Evolution: Shared Studios and Notable Partnerships

Clarasó’s artistic trajectory gained momentum through collaborations with fellow artists like Miquel Carbonell and Santiago Rusiñol, fostering a vibrant creative environment within Barcelona's bohemian circles. His debut exhibition at Sala Parés in 1884 solidified his position as a rising talent, while participation in the 1888 Barcelona Art Exhibition showcased his burgeoning reputation. These connections exposed him to diverse artistic perspectives and fueled his ongoing exploration of form and expression.

Style and Technique: Costumisme and Symbolism – A Fusion of Observation and Emotion

Clarasó’s sculptural style is characterized by “Costumisme,” a technique that blends meticulous observation with imaginative embellishment—a deliberate departure from purely academic conventions. He skillfully incorporates silk into his sculptures, adding textural richness and enhancing the emotional impact of his works. Influenced by Henri Chapu and Joan Roig i Solé, Clarasó’s oeuvre reflects the broader stylistic trends of Modernism, prioritizing expressive gesture and symbolic representation over mere anatomical accuracy. His monumental sculptures—including funerary monuments—are imbued with a profound sense of solemnity and contemplation.

Beyond Sitges: Legacy and Recognition

Clarasó's enduring legacy extends beyond his artistic output; he authored “Notes Viscudes,” an autobiographical account that illuminates the intellectual and emotional landscape of Catalan Modernism. His work continues to inspire artists and scholars alike, securing his place as a pivotal figure in Catalan art history. The Museu d’Art Contemporani de Barcelona (MACBA) houses a significant collection of his sculptures, ensuring that Clarasó's vision—a harmonious blend of realism and symbolism—remains accessible to future generations.