TapestryStuart Daniel Baker · 1890

  • Tecnica pittoricaEmbroidery
  • Tecnica utilizzataTextile
  • Movimento artisticoFolk Art
  • Data di creazione1890
  • Epoca artistica19th Century
  • Dimensioni156.0 x 150.0 cm
  • MuseoMuseo Casa de los Tiros di Granada

Stuart Daniel Baker (1954 –)

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Museo Casa de los Tiros di Granada (Granada, Spagna)

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A Threaded Mythology

Indigo blue forms the deep, silent ocean upon which this scene floats. Every stitch is a small, deliberate act of memory, pulling wool through fabric to build a world of raised textures and heavy shadows. The composition centers on a medallion, a circular anchor for the eye, from which a frantic, beautiful geometry radiates outward. It is a dense thicket of shapes where birds and mythical creatures emerge from the dark dye, their forms defined by the thickness of the thread rather than the stroke of a brush. The surface is not flat; it is a landscape of tactile ridges and valleys that catch the light in uneven, honest ways.

The Language of the Stitch

The work operates through a vocabulary of symbols, each one a knot of color against the deep blue base. The imagery draws from the well of folk traditions, where every creature carries a weight of meaning beyond its physical shape. Within this embroidered field, one finds:

  • Birds that suggest the movement of spirits or the lightness of breath.
  • Suns and stars that map out a celestial, patterned heaven.
  • Floral motifs that bloom in permanent, woolen stillness.
  • Geometric borders that contain the chaos of the central figures.

These elements do not compete for space; they occupy it with a crowded, rhythmic abundance. The technique relies on the varied weight of the wool, creating a relief that invites the touch. It is a slow art, built one loop at a time, capturing a sense of storytelling through the physical presence of the material.

The Weight of the Past

Created in 1890, this piece carries the quiet gravity of a bygone era. It avoids the illusion of depth, choosing instead to embrace the flatness of the textile. There is no attempt to mimic the three-dimensional world; there is only the truth of the thread and the pattern. The work feels like a fragment of a larger, forgotten story, a piece of cultural fabric that has survived the passage of time through its sheer density of detail. It is a quiet, heavy thing. The blue remains deep.


Informazioni sull'opera

  • Titolo: Tapestry
  • Artista: Stuart Daniel Baker
  • Anno: 1890
  • Dimensioni originali: 156.0 x 150.0 cm
  • Formato: Square
  • Stato del copyright: Protetti da copyright
  • Dove vederlo: Museo Casa de los Tiros di Granada
  • Tecnica e materiali: Embroidery
  • Tipo di tecnica: Textile
  • Contesto del corpus: textile experimentation, narrative richness

Informazioni rapide

  • Dimensions: 156 x 150 cm
  • Subject or theme: Mythical creatures, animals, and flora
  • Year: 1890
  • Medium: Embroidered wool thread on blue textile

Domande e risposte

Dove e per quale uso è consigliata "Tapestry"?

L'uso (Cultural) e lo spazio (Living Room) sono le due raccomandazioni indicate per "Tapestry" di Stuart Daniel Baker.

Come è strutturata la composizione cromatica di "Tapestry" di Stuart Daniel Baker?

L'analisi cromatica di "Tapestry" di Stuart Daniel Baker rivela un Gentle contrasto e una Discordant Palette armonia.

Qual è l'orientamento di "Tapestry" di Stuart Daniel Baker?

"Tapestry" di Stuart Daniel Baker ha un formato Square. Il formato descrive le proporzioni della composizione.

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