TapestryStuart Daniel Baker · 1890
Embroidery
Textile
Folk Art
1890
19th Century
156.0 x 150.0 cm
Museo Casa de los Tiros di Granada
Stuart Daniel Baker (1954 –)
Scopri Stuart Daniel Baker: artista statunitense noto per la fusione tra musica rockabilly e arte fotografica evocativa. Esplora i suoi paesaggi monumentali, le opere tessili simboliche e il suo ruolo nel celebre Squidbillies!
Museo Casa de los Tiros di Granada (Granada, Spagna)
Scopri Granada al Museo Casa de los Tiros! Arte rinascimentale, ceramiche Fajalauza e ritratti reali in questo splendido palazzo del XVI secolo. Ingresso gratuito per cittadini UE!
A Threaded Mythology
Indigo blue forms the deep, silent ocean upon which this scene floats. Every stitch is a small, deliberate act of memory, pulling wool through fabric to build a world of raised textures and heavy shadows. The composition centers on a medallion, a circular anchor for the eye, from which a frantic, beautiful geometry radiates outward. It is a dense thicket of shapes where birds and mythical creatures emerge from the dark dye, their forms defined by the thickness of the thread rather than the stroke of a brush. The surface is not flat; it is a landscape of tactile ridges and valleys that catch the light in uneven, honest ways.
The Language of the Stitch
The work operates through a vocabulary of symbols, each one a knot of color against the deep blue base. The imagery draws from the well of folk traditions, where every creature carries a weight of meaning beyond its physical shape. Within this embroidered field, one finds:
- Birds that suggest the movement of spirits or the lightness of breath.
- Suns and stars that map out a celestial, patterned heaven.
- Floral motifs that bloom in permanent, woolen stillness.
- Geometric borders that contain the chaos of the central figures.
These elements do not compete for space; they occupy it with a crowded, rhythmic abundance. The technique relies on the varied weight of the wool, creating a relief that invites the touch. It is a slow art, built one loop at a time, capturing a sense of storytelling through the physical presence of the material.
The Weight of the Past
Created in 1890, this piece carries the quiet gravity of a bygone era. It avoids the illusion of depth, choosing instead to embrace the flatness of the textile. There is no attempt to mimic the three-dimensional world; there is only the truth of the thread and the pattern. The work feels like a fragment of a larger, forgotten story, a piece of cultural fabric that has survived the passage of time through its sheer density of detail. It is a quiet, heavy thing. The blue remains deep.
Informazioni sull'opera
- Titolo: Tapestry
- Artista: Stuart Daniel Baker
- Anno: 1890
- Dimensioni originali: 156.0 x 150.0 cm
- Formato: Square
- Stato del copyright: Protetti da copyright
- Dove vederlo: Museo Casa de los Tiros di Granada
- Tecnica e materiali: Embroidery
- Tipo di tecnica: Textile
- Contesto del corpus: textile experimentation, narrative richness
Informazioni rapide
- Dimensions: 156 x 150 cm
- Subject or theme: Mythical creatures, animals, and flora
- Year: 1890
- Medium: Embroidered wool thread on blue textile
Domande e risposte
Dove e per quale uso è consigliata "Tapestry"?
L'uso (Cultural) e lo spazio (Living Room) sono le due raccomandazioni indicate per "Tapestry" di Stuart Daniel Baker.
Come è strutturata la composizione cromatica di "Tapestry" di Stuart Daniel Baker?
L'analisi cromatica di "Tapestry" di Stuart Daniel Baker rivela un Gentle contrasto e una Discordant Palette armonia.
Qual è l'orientamento di "Tapestry" di Stuart Daniel Baker?
"Tapestry" di Stuart Daniel Baker ha un formato Square. Il formato descrive le proporzioni della composizione.