Saint Bartholomewカルロ・クリヴェッリ · 1475

Identification of Saint Bartholomew by Carlo Crivelli

Saint Bartholomew is an artwork by Carlo Crivelli, executed in 1475. The work belongs to the Early Renaissance and reflects a Late Gothic decorative sensibility. It represents a period of transition where the linear precision of the Quattrocento meets the ornamental traditions of the previous century.

The subject matter focuses on religious scholarship and contemplation. Through the figure of the saint, Crivelli explores themes of devotion and the weight of sacred texts. This specific depiction emphasizes the intellectual and spiritual gravity inherent in the life of the apostle.

Visual Composition and Subject Matter

The figure of a bearded man occupies the central space, captured in a moment of quietude. He is dressed in a robe and holds a book within his hands. His gaze is directed downward, a posture suggesting religious scholarship and contemplation. This downward tilt of the head emphasizes a sense of internal reflection rather than outward engagement.

The background is characterized by a consistent orange hue. This monochromatic setting focuses attention on the saint's form and the objects he carries. The composition relies on a clear, linear definition of the figure against this warm-toned backdrop. The interplay of light and shadow provides a sculptural quality to the man's features and the folds of his garment.

Technical Details and Artistic Medium

Executed in tempera on a panel, this work measures 28 x 21 cm. The medium requires a disciplined application of pigment to achieve its characteristic clarity. Crivelli utilizes a strong linear decorative sense to define the figure, emphasizing sharp outlines and a sculptural quality in the rendering of the form.

The artist employs a dramatic chiaroscuro effect, using deep shadows to create volume and allow highlights to emerge across the face and the sacred text. This interplay of light and shadow lends a tangible weight to the subject. The surface displays a meticulous attention to detail, particularly in the textures of the drapery and the precision of the linear elements.

Current Location and Museum Setting

The work is held within the Pinacoteca di Brera in Milan, Italy. This institution houses a significant collection of Italian paintings that define the progression of the nation's artistic history. The museum setting provides a context for observing the transition from the Early Renaissance to the High Renaissance through its diverse holdings.

Located in Milan, the Pinacoteca di Brera serves as a primary repository for major Italian works. The presence of this piece within such a collection places it alongside significant developments in the Italian Quattrocento. It remains part of the permanent museum environment in Italy.