Number 5

  • 画材・技法Oil On Canvas
  • 素材・技法WallArt
  • 芸術運動Abstract Expressionism
  • 制作日1948
  • 制作年代Modern
  • 寸法244.0 x 122.0 cm

ジャクソン・ポロック(1912 – 1956)

ジャクソン・ポロック(1912-1956)は抽象表現主義の先駆者。ドリッピング技法で描かれた革新的な作品群、その情熱的でダイナミックな表現は現代美術に多大な影響を与えました。代表作『No. 1, 1950 (Lavender Mist)』など。

No. 5, 1948 – A Symphony of Chaos and Control

Jackson Pollock’s *No. 5*, created in 1948, stands as an emblem of Abstract Expressionism—a movement that irrevocably altered the landscape of modern art. More than just a painting; it's a visceral embodiment of emotion, intellect, and revolutionary technique, captivating viewers with its mesmerizing complexity and enduring legacy. This monumental canvas, measuring eight by four feet on fiberboard, transcends mere visual representation, inviting contemplation about the very nature of artistic expression itself.

Technique: The Birth of Action Painting

Pollock’s groundbreaking approach to painting—drip painting—was unlike anything seen before. Rejecting traditional brushstrokes and easel-bound compositions, he embraced a method that involved pouring and manipulating liquid paints onto a horizontal surface. This seemingly effortless process concealed an astonishing level of control and precision. Using synthetic resin paints mixed with linseed oil, Pollock meticulously layered colors onto the fiberboard, creating intricate webs of pigment that resembled turbulent skies or blossoming floral arrangements. The resulting texture—a dense tapestry of interwoven lines and drips—became synonymous with “action painting,” a term coined by Harold Rosenberg to describe this transformative style.

Emotional Resonance: Capturing the Subconscious

At its core, *No. 5* is an intensely personal statement reflecting Pollock’s inner turmoil and fascination with the subconscious mind. Influenced by Surrealism and Native American art—particularly Navajo weaving patterns—Pollock sought to bypass rational thought and tap into primal impulses. The dominant hues of yellow and brown convey a sense of warmth, yet simultaneously hint at underlying anxieties and instability. Critics noted that “You spent money on ‘that’?” reflecting the initial reaction of Ted Dragon, Ossorio's partner. This painting isn’t merely decorative; it’s an invitation to delve into the depths of human emotion—a courageous exploration of vulnerability and resilience.

Historical Significance: Pivotal Moment in Modern Art

*No. 5*, alongside other works from Pollock’s drip period, propelled Abstract Expressionism to international prominence. It challenged conventional artistic norms and solidified Pollock's position as a pioneer of American art history. The deliberate absence of a title—a decision championed by Pollock himself—served to refocus attention on the painting’s inherent qualities, encouraging viewers to engage with it without preconceived notions. Its sale for $140 million in 2006 cemented its place among the most valuable artworks globally, symbolizing not only artistic achievement but also the transformative power of innovation and daring experimentation.

Legacy: An Enduring Influence

Today, *No. 5* continues to inspire artists and collectors alike. Its influence can be seen in countless subsequent works exploring similar themes of spontaneity and abstraction. Furthermore, reproductions of this masterpiece offer a remarkable opportunity to experience Pollock’s vision firsthand—bringing the dynamism and emotional depth of Abstract Expressionism into homes and galleries worldwide. For those seeking inspiration or delving deeper into art history, examining *No. 5* provides invaluable insight into the genesis of modern artistic thought.


作品詳細

  • 作品名: Number 5
  • 作家: ジャクソン・ポロック
  • 制作年: 1948
  • 作品サイズ: 244.0 x 122.0 cm
  • 技法: Tall
  • 著作権の状態: パブリックドメイン
  • 時代: Modern
  • コーパスの文脈: native american spirit, emotional depth
  • カラーパレット: Earthy
  • 用途: Accent

作品詳細

  • Subject or theme: Abstraction
  • Medium: Oil on fiberboard
  • Movement: Abstract Expressionism
  • Dimensions: 244 x 122 cm
  • Notable elements or techniques: Drip painting
  • Title: No. 5
  • Year: 1948

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